| Crowdsourcing and outsourcing: The impact of online funding and distribution on the documentary film industry in the UK IE Sørensen Media, Culture & Society 34 (6), 726-743, 2012 | 114 | 2012 |
| The revival of live TV: liveness in a multiplatform context IE Sørensen Media, Culture & Society 38 (3), 381-399, 2016 | 75 | 2016 |
| Regulating the sharing economy: introduction to the special issue K Erickson, I Sørensen Internet Policy Review 5 (2), 2016 | 56 | 2016 |
| Channels as content curators: Multiplatform strategies for documentary film and factual content in British public service broadcasting IE Sørensen European Journal of Communication 29 (1), 34-49, 2014 | 56 | 2014 |
| Content in context: The impact of mobile media on the British TV industry IE Sørensen Convergence 24 (6), 507-522, 2018 | 29 | 2018 |
| Reflections on academic video T Eriksson, IE Sørensen Seminar. net 8 (1), 2012 | 22 | 2012 |
| Hard facts, soft measures: Gender, quality and inequality debates in Danish film and television in the 2010s EN Redvall, IE Sørensen Journal of Scandinavian Cinema 8 (3), 233-249, 2018 | 20 | 2018 |
| Online Credibility and Digital Ethos: Evaluating Computer-Mediated Communication: Evaluating Computer-Mediated Communication M Folk IGI Global, 2012 | 16 | 2012 |
| Sex and safety on set: Intimacy Coordinators in television drama and film in the VOD and post-Weinstein era IE Sørensen Feminist Media Studies 22 (6), 1395-1410, 2022 | 15 | 2022 |
| What sexual harassment in Zentropa tells us about cultural policy post-Weinstein I Sorensen Feminist Media Studies 18 (3), 502-505, 2018 | 13 | 2018 |
| Documentary in a multiplatform context IE Sørensen University of Copenhagen. Faculty of Humanities, 2013 | 11 | 2013 |
| Go crowdfund yourself: some unintended consequences of crowdfunding for documentary film and industry in the UK IE Sorensen Institute for Networked Cultures, 2015 | 10 | 2015 |
| Production, policy and power: the screen industry’s response to the environmental crisis IE Sørensen, C Noonan Media, Culture & Society 44 (1), 172-184, 2022 | 9 | 2022 |
| Does automatic funding suck? The cost and value of automatic funding in small nation screen industries in Northern Europe IE Sørensen, EN Redvall International Journal of Cultural Policy 27 (3), 298-311, 2021 | 8 | 2021 |
| Documentary at play IE Sørensen, AM Thorhauge Online Credibility and Digital Ethos: Evaluating Computer-Mediated …, 2013 | 6 | 2013 |
| Go crowdfund yourself: Some unintended consequences of crowdfunding for documentary film and industry in the UK In G IE Sørensen Moneylab reader: An intervention in digital economy, 268-280, 2015 | 5 | 2015 |
| Newsjacking the Media. Video Ambushing and AV Astroturfing IE Sørensen Media Interventions, 89-106, 2013 | 4 | 2013 |
| Reflections on academic video I Sørensen, T Eriksson Seminar. net 8 (1), 2012 | 3 | 2012 |
| European screen agencies and sustainability: interventions for greening the screen C Noonan, I Sorensen Springer Nature, 2022 | 2* | 2022 |
| The role of public sector agencies and the effectiveness of the support they provide’: Examples of successful policies and strategies for growing the screen industries in … I Sorensen The Scottish Parliament, 2016 | 2 | 2016 |
