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eldad tsabary
eldad tsabary
Professor of electroacoustic music, Concordia University
Verified email at concordia.ca - Homepage
Title
Cited by
Cited by
Year
Estuary: Browser-based collaborative projectional live coding of musical patterns
D Ogborn, J Beverley, LN del Angel, E Tsabary, A McLean, E Betancur
International Conference on Live Coding (ICLC) 2017, 2017
272017
Extramuros: making music in a browser-based, language-neutral collaborative live coding environment
D Ogborn, E Tsabary, I Jarvis, A Cárdenas, A McLean
Proceedings of the first international conference on live coding, 163-69, 2015
262015
Music education through innovation: The concordia laptop orchestra as a model for transformational education
E Tsabary
INTED2014 proceedings, 657-664, 2014
172014
Which aural skills are necessary for composing, performing and understanding electroacoustic music, and to what extent are they teachable by traditional aural training?
E Tsabary
Organised Sound 14 (3), 299-309, 2009
162009
The aural skills acquisition process of undergraduate electroacoustic (EA) music majors in the context of a new aural learning method
E Tsabary
Boston University, 2013
92013
Improvisation as an evolutionary force in laptop orchestra culture
E Tsabary
Critical Studies in Improvisation/Études critiques en improvisation 11 (1-2), 2016
82016
Aural atoms and structures: From electroacoustic ear training to analysis and back again
E Tsabary
Electroacoustic Music Studies Network Conference: The Art of Electroacoustic …, 2015
52015
“Whatever Works”: an Action-Centred Approach to Creation and Mediation in Designing Laptop Orchestra Performances
E Tsabary, J Woollard
Gli spazi della musica 3 (2), 2014
52014
Electroacoustic ear training
E Tsabary
2012). Sound musicianship: Understanding the crafts of music, 292-301, 2012
52012
Inner Ear: A tool for individualizing sound-focused aural skill acquisition
E Tsabary, D Savage, D Ogborn, C Beckett, A Szigetvári, J Beverley, ...
Journal of Music, Technology & Education 12 (3), 261-278, 2019
32019
Estuary 0.3: Collaborative audio-visual live coding with a multilingual browser-based platform
D Ogborn, AF Briones, LN del Angel, A Roberts, DA Stewart, J Beverley, ...
2022 Web Audio Conference, 2022
22022
Random walks on Neo-Riemannian spaces: Towards generative transformations
P Nguyen, E Tsabary
Ai music creativity, 2022
22022
SuperContinent: Global, collective live coding improvisation
C Betancur, A Khoparzi, S Knotts, M Laubscher, M Marie, D Ogborn, ...
NIME 2021, 2021
22021
Stabilizing and Destabilizing Agents in Laptop Orchestra Improvisation
E Tsabary
Les Cahiers de la Société québécoise de recherche en musique 17 (1), 39-49, 2016
22016
Towards Deconstructivist Music: Reconstruction paradoxes, neural networks, concatenative synthesis and automated orchestration in the creative process
P Nguyen, E Tsabary
Organised Sound 29 (1), 79-90, 2024
12024
The aesthetics of deconstruction: neural synthesis of transformation matrices using GANs on multichannel polyphonic MIDI data
P Nguyen, E Tsabary
Journal of New Music Research 52 (2-3), 245-262, 2023
2023
Whatever Works
E Tsabary, J WOOLLARD
Negotiating Shared Live Coding Practices in SuperContinent, an Online Laptop Ensemble
S Knotts, C Betancur, A Khoparzi, M Laubscher, M Marie, D Ogborn, ...
PROMOTING SINGING AND MUSIC LITERACY
L Muntean, S Weidenfeld, M Koren, E Tsabary
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Articles 1–19