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William P. Seeley
William P. Seeley
Part Time Assistant Professor, University of Southern Maine
Verified email at maine.edu - Homepage
Title
Cited by
Cited by
Year
Integrating art historical, psychological, and neuroscientific explanations of artists' advantages in drawing and perception.
A Kozbelt, WP Seeley
Psychology of Aesthetics, Creativity, and the Arts 1 (2), 80, 2007
1482007
Cognitivism, psychology, and neuroscience: Movies as attentional engines.
N Carroll, WP Seeley
Oxford University Press, 2013
1062013
Art, artists, and perception: A model for premotor contributions to perceptual analysis and form recognition
W Seeley, A Kozbelt
Philosophical Psychology 21 (2), 149-171, 2008
682008
Art and science: A philosophical sketch of their historical complexity and codependence
NJ Bullot, WP Seeley, S Davies
The Journal of Aesthetics and Art Criticism 75 (4), 453-463, 2017
652017
Naturalizing aesthetics: art and the cognitive neuroscience of vision
WP Seeley
Journal of Visual Art Practice 5 (3), 195-213, 2006
542006
Kinesthetic understanding and appreciation in dance
N Carroll, WP Seeley
The Journal of Aesthetics and Art Criticism 71 (2), 177-186, 2013
442013
The philosophy of art and aesthetics, psychology, and neuroscience
N Carroll, M Moore, WP Seeley
Aesthetic science. Connecting minds, brains, and experience, 31-62, 2012
442012
Art, meaning, and perception: a question of methods for a cognitive neuroscience of art
WP Seeley
British Journal of Aesthetics 53 (4), 443-460, 2013
352013
What is the cognitive neuroscience of art… and why should we care?
W Seeley
American Society for Aesthetics Newsletter 31 (2), 2011
352011
Olfaction, valuation, and action: reorienting perception
JB Castro, WP Seeley
Frontiers in Psychology 5, 76218, 2014
312014
Attentional engines: A perceptual theory of the arts
WP Seeley
Oxford University Press, 2020
222020
Cognitive Theory and the Individual Film: The Case of Rear Window
W Seeley, N Carroll
Cognitive media theory, 235-252, 2014
212014
Philosophy of art and empirical aesthetics: Resistance and rapprochement
WP Seeley
The Cambridge handbook of the psychology of aesthetics and the arts, 35-59, 2014
152014
Art, meaning, and aesthetics: The case for a cognitive neuroscience of art
WP Seeley
Art, aesthetics, and the brain, 19-39, 2015
122015
Hearing how smooth it looks: Selective attention and crossmodal perception in the arts
WP Seeley
Essays in Philosophy 13 (2), 498-517, 2012
122012
engagement with dance
WP Seeley
Moving Imagination: Explorations of gesture and inner movement 89, 51, 2013
82013
The Science of Art Is as Relevant to the Philosophy of Art as Artistic Representations Are to Science: A Reply to Roger Seamon
W Seeley
82011
Imagining crawling home: a case study in cognitive science and aesthetics
WP Seeley
Review of Philosophy and Psychology 1, 407-426, 2010
82010
Empirical aesthetics
W Seeley
62014
A visuomotor skill model for artists' advantages in drawing, visual analysis, and form recognition
W Seeley, A Kozbelt
62004
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