Moving pictures: A new theory of film genres, feelings, and cognition T Grodal | 1039 | 1999 |
Embodied visions: Evolution, emotion, culture, and film T Grodal Oxford University Press, 2009 | 808 | 2009 |
Video games and the pleasures of control T Grodal Media entertainment, 197-213, 2000 | 675 | 2000 |
Stories for eye, ear, and muscles: Video games, media, and embodied experiences T Grodal The video game theory reader, 129-155, 2013 | 450 | 2013 |
Embodiment and interface A Gregersen, T Grodal The video game theory reader 2, 87-106, 2008 | 227 | 2008 |
Emotions, cognitions, and narrative patterns in film T Grodal KOSMORAMA, 6-22, 1998 | 77 | 1998 |
The experience of realism in audiovisual representation T Grodal Realism and ‘reality’in film and media, 67-91, 2002 | 76 | 2002 |
Filmoplevelse, 2. udgave T Grodal Forlaget Samfundslitteratur, 2007 | 59 | 2007 |
The PECMA flow: A general model of visual aesthetics T Grodal Film Studies 8 (1), 1-11, 2006 | 58 | 2006 |
Cognition, emotion, and visual fiction: Theory and typology of affective patterns and genres in film and television TK Grodal University of Copenhagen, Department of Film and Media Studies, 1993 | 48 | 1993 |
Visual authorship: creativity and intentionality in media TK Grodal, B Larsen, IT Laursen Museum Tusculanum Press, 2005 | 40 | 2005 |
Love and Desire in the Cinema T Grodal Cinema Journal, 26-46, 2004 | 40 | 2004 |
Moving Pictures: A New Theory of Film Genres T Grodal Feelings, and Cognition, 1997 | 38 | 1997 |
Pain, sadness, aggression, and joy: An evolutionary approach to film emotions. Projections 1 (1): 91–107 T Grodal | 37 | 2007 |
Pain, sadness, aggression, and joy: An evolutionary approach to film emotions T Grodal Projections 1 (1), 91-107, 2007 | 29 | 2007 |
Film lighting and mood T Grodal Moving image theory: Ecological considerations 152, 2005 | 28 | 2005 |
Agency in Film, Filmmaking, and Reception T Grodal Visual authorship: Creativity and intentionality in media, 15-36, 2004 | 27 | 2004 |
Empathy, film, and the brain T Grodal, M Kramer Recherches sémiotiques 30 (1), 19-35, 2010 | 26 | 2010 |
How film genres are a product of biology, evolution and culture—An embodied approach T Grodal Palgrave Communications 3 (1), 1-8, 2017 | 24 | 2017 |
Film, character simulation, and emotion T Grodal Nicht allein das Laufbild auf der Leinwand... Strukturen des Films als …, 2001 | 24 | 2001 |