| Moving pictures: A new theory of film genres, feelings, and cognition T Grodal | 970 | 1999 |
| Embodied visions: Evolution, emotion, culture, and film T Grodal Oxford University Press, 2009 | 711 | 2009 |
| Video games and the pleasures of control T Grodal Media entertainment: The psychology of its appeal, 197-213, 2000 | 622 | 2000 |
| Stories for eye, ear, and muscles: Video games, media, and embodied experiences T Grodal The video game theory reader, 129-155, 2013 | 406 | 2013 |
| Embodiment and interface A Gregersen, T Grodal The video game theory reader 2, 87-106, 2008 | 193 | 2008 |
| Emotions, cognitions, and narrative patterns in film T Grodal KOSMORAMA, 6-22, 1998 | 86 | 1998 |
| The experience of realism in audiovisual representation T Grodal Realism and ‘reality’in film and media, 67-91, 2002 | 83 | 2002 |
| Filmoplevelse, 2. udgave T Grodal Forlaget Samfundslitteratur, 2007 | 57 | 2007 |
| The PECMA flow: A general model of visual aesthetics T Grodal Film Studies 8 (1), 1-11, 2006 | 50 | 2006 |
| Love and Desire in the Cinema T Grodal Cinema Journal, 26-46, 2004 | 42 | 2004 |
| Cognition, emotion, and visual fiction: Theory and typology of affective patterns and genres in film and television TK Grodal University of Copenhagen, Department of Film and Media Studies, 1993 | 41 | 1993 |
| Pain, sadness, aggression, and joy: An evolutionary approach to film emotions. Projections 1 (1): 91–107 T Grodal | 35 | 2007 |
| Visual authorship: creativity and intentionality in media TK Grodal, B Larsen, IT Laursen Museum Tusculanum Press, 2005 | 35 | 2005 |
| Frozen flows in von Trier’s oeuvre T Grodal Visual authorship: Creativity and intentionality in media, 129-167, 2004 | 31 | 2004 |
| Pain, sadness, aggression, and joy: An evolutionary approach to film emotions T Grodal Projections 1 (1), 91-107, 2007 | 28 | 2007 |
| Art Film, the Transient Body and the Permanent Soul TK Grodal Aura 6 (3), 33-53, 2000 | 28 | 2000 |
| Agency in Film, Filmmaking T Grodal Visual authorship: Creativity and intentionality in media, 15, 2005 | 23 | 2005 |
| Film lighting and mood T Grodal Moving image theory: Ecological considerations 152, 2005 | 21 | 2005 |
| High on crime fiction and detection T Grodal Projections 4 (2), 64-85, 2010 | 20 | 2010 |
| Film narrative T Grodal Routledge Encyclopedia of Narrative Theory. London: Routledge, 168-72, 2005 | 20 | 2005 |
