Peter Vuust

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Elvira BratticoAarhus University, Denmark & University of Bari Aldo Moro, ItalyVerified email at clin.au.dk
Morten L KringelbachUniversities of Oxford and AarhusVerified email at queens.ox.ac.uk
Mikkel WallentinProfessor, Cognitive Science, Aarhus UniversityVerified email at cc.au.dk
Andreas RoepstorffProfessor, Cognition, Communication and Culture, Aarhus UniversityVerified email at hum.au.dk
Maria WitekDepartment of Music, University of BirminghamVerified email at bham.ac.uk
Eduardo A. Garza-VillarrealInstitute of Neurobiology, Universidad Nacional Autónoma de México (UNAM)Verified email at comunidad.unam.mx
Leif ØstergaardCenter of Functionally Integrative Neuroscience, Department of Clinical Medicine, Aarhus UniversityVerified email at cfin.au.dk
Niels Chr. HansenAarhus Institute of Advanced Studies, Aarhus UniversityVerified email at aias.au.dk
Line GebauerAssociate Professor, Department of Clinical Medicine, Center for Music in the Brain, AarhusVerified email at clin.au.dk
Ivana KonvalinkaCognitive Systems, DTU Compute, Technical University of DenmarkVerified email at dtu.dk
Marina KliuchkoHearing Systems, Department of Health Technology, Technical University of DenmarkVerified email at dtu.dk
Mari TervaniemiCicero Learning, Faculty of Educational Sciences, University of HelsinkiVerified email at helsinki.fi
Kira Vibe JespersenAssistant Professor at Center for Music in the Brain, Aarhus UniversityVerified email at clin.au.dk
Bjørn PetersenCenter for Music in the Brain, Dept. of Clinical Medicine, Aarhus University & The Royal Academy ofVerified email at musikkons.dk
Petri ToiviainenProfessor of MusicVerified email at jyu.fi
Risto NäätänenInstitute of Psychology, University of Tartu, Estonia; University of Helsinki, FinlandVerified email at ut.ee
Albert GjeddeEmeritus Professor of Neurobiology and Pharmacology, University of CopenhagenVerified email at gjedde.nu
Chris FrithUCLVerified email at ucl.ac.uk
Leonardo BonettiPostdoc researcher at Center for Music in the Brain, Aarhus UniversityVerified email at clin.au.dk
Torben Ellegaard LundAssociate Professor, CFIN, Aarhus UniversityVerified email at cfin.au.dk

Peter Vuust

Professor, Aarhus University & The Royal Academy of Music, Aarhus

Verified email at musikkons.dk - Homepage

cognitive neuroscience of music predictive coding music analysis music theory eudaimonia


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Follow you, follow me: continuous mutual prediction and adaptation in joint tapping I Konvalinka, P Vuust, A Roepstorff, CD Frith Quarterly journal of experimental psychology 63 (11), 2220-2230, 2010	353	2010
Syncopation, body-movement and pleasure in groove music MAG Witek, EF Clarke, M Wallentin, ML Kringelbach, P Vuust PloS one 9 (4), e94446, 2014	265	2014
To musicians, the message is in the meter: pre-attentive neuronal responses to incongruent rhythm are left-lateralized in musicians P Vuust, KJ Pallesen, C Bailey, TL Van Zuijen, A Gjedde, A Roepstorff, ... Neuroimage 24 (2), 560-564, 2005	260	2005
Predictive coding of music–brain responses to rhythmic incongruity P Vuust, L Ostergaard, KJ Pallesen, C Bailey, A Roepstorff cortex 45 (1), 80-92, 2009	223	2009
The Musical Ear Test, a new reliable test for measuring musical competence M Wallentin, AH Nielsen, M Friis-Olivarius, C Vuust, P Vuust Learning and Individual Differences 20 (3), 188-196, 2010	219	2010
Predictive processes and the peculiar case of music S Koelsch, P Vuust, K Friston Trends in Cognitive Sciences 23 (1), 63-77, 2019	190	2019
Rhythmic complexity and predictive coding: a novel approach to modeling rhythm and meter perception in music P Vuust, MAG Witek Frontiers in psychology 5, 1111, 2014	153	2014
Ever-changing cycles of musical pleasure: The role of dopamine and anticipation. L Gebauer, ML Kringelbach, P Vuust Psychomusicology: Music, Mind, and Brain 22 (2), 152, 2012	140	2012
The sound of music: differentiating musicians using a fast, musical multi-feature mismatch negativity paradigm P Vuust, E Brattico, M Seppänen, R Näätänen, M Tervaniemi Neuropsychologia 50 (7), 1432-1443, 2012	135	2012
Representation of harmony rules in the human brain: Further evidence from event-related potentials S Leino, E Brattico, M Tervaniemi, P Vuust Brain research 1142, 169-177, 2007	130	2007
It don't mean a thing…: Keeping the rhythm during polyrhythmic tension, activates language areas (BA47) P Vuust, A Roepstorff, M Wallentin, K Mouridsen, L Østergaard Neuroimage 31 (2), 832-841, 2006	125	2006
Amygdala and heart rate variability responses from listening to emotionally intense parts of a story M Wallentin, AH Nielsen, P Vuust, A Dohn, A Roepstorff, TE Lund Neuroimage 58 (3), 963-973, 2011	123	2011
Working memory and musical competence of musicians and non-musicians M Hansen, M Wallentin, P Vuust Psychology of Music 41 (6), 779-793, 2013	116	2013
Music for insomnia in adults KV Jespersen, J Koenig, P Jennum, P Vuust Cochrane Database of Systematic Reviews, 2015	110	2015
Capturing the musical brain with Lasso: Dynamic decoding of musical features from fMRI data P Toiviainen, V Alluri, E Brattico, M Wallentin, P Vuust Neuroimage 88, 170-180, 2014	104*	2014
Music in minor activates limbic structures: a relationship with dissonance? AC Green, KB Bærentsen, H Stødkilde-Jørgensen, M Wallentin, ... Neuroreport 19 (7), 711-715, 2008	100	2008
From Vivaldi to Beatles and back: predicting lateralized brain responses to music V Alluri, P Toiviainen, TE Lund, M Wallentin, P Vuust, AK Nandi, ... Neuroimage 83, 627-636, 2013	91	2013
Now you hear it: A predictive coding model for understanding rhythmic incongruity P Vuust, MJ Dietz, M Witek, ML Kringelbach Annals of the New York Academy of Sciences 1423 (1), 19-29, 2018	84	2018
Music reduces pain and increases functional mobility in fibromyalgia EA Garza-Villarreal, AD Wilson, L Vase, E Brattico, FA Barrios, ... Frontiers in psychology 5, 90, 2014	84	2014
Anticipation is the key to understanding music and the effects of music on emotion P Vuust, CD Frith Behavioral and Brain Sciences 31 (5), 599-600, 2008	83	2008

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