| Visual perception of expressiveness in musicians' body movements S Dahl, A Friberg Music Perception: An Interdisciplinary Journal 24 (5), 433-454, 2007 | 335 | 2007 |
| Playing the accent-comparing striking velocity and timing in an ostinato rhythm performed by four drummers S Dahl Acta Acustica united with Acustica 90 (4), 762-776, 2004 | 97 | 2004 |
| Gestures in performance S Dahl, F Bevilacqua, R Bresin musical Gestures, 48-80, 2010 | 87 | 2010 |
| Multisensory integration of drumming actions: musical expertise affects perceived audiovisual asynchrony K Petrini, S Dahl, D Rocchesso, CH Waadeland, F Avanzini, A Puce, ... Experimental brain research 198 (2-3), 339, 2009 | 87 | 2009 |
| The playing of an accent–preliminary observations from temporal and kinematic analysis of percussionists S Dahl Journal of New Music Research 29 (3), 225-233, 2000 | 72 | 2000 |
| Expressiveness of musician’s body movements in performances on marimba S Dahl, A Friberg International Gesture Workshop, 479-486, 2003 | 61 | 2003 |
| Action expertise reduces brain activity for audiovisual matching actions: an fMRI study with expert drummers K Petrini, FE Pollick, S Dahl, P McAleer, L McKay, D Rocchesso, ... Neuroimage 56 (3), 1480-1492, 2011 | 55 | 2011 |
| On the beat: Human movement and timing in the production and perception of music S Dahl KTH, 2005 | 46 | 2005 |
| Movements and analysis of drumming S Dahl Oxford University Press, 2012 | 36 | 2012 |
| Is the player more influenced by the auditory than the tactile feedback from the instrument S Dahl, R Bresin Proc. of the cost-g6 workshop on digital audio effects (dafx-01), limerick …, 2001 | 32 | 2001 |
| Striking movements: A survey of motion analysis of percussionists S Dahl Acoustical science and technology 32 (5), 168-173, 2011 | 30 | 2011 |
| Experiments on gestures: walking, running, and hitting R Bresin, S Dahl The sounding object, 111-136, 2003 | 27 | 2003 |
| Ghost in the Cave–an interactive collaborative game using non-verbal communication ML Rinman, A Friberg, B Bendiksen, D Cirotteau, S Dahl, I Kjellmo, ... International Gesture Workshop, 549-556, 2003 | 25 | 2003 |
| Facial expression and vocal pitch height: Evidence of an intermodal association D Huron, S Dahl, R Johnson Empirical Musicology Review, 2009 | 19 | 2009 |
| Motor control in drumming: Influence of movement pattern on contact force and sound characteristics S Dahl, E Altenmuller Journal of the Acoustical Society of America 123 (5), 3122, 2008 | 19 | 2008 |
| Spectral changes in the tom-tom related to striking force S Dahl Royal Institute of Technology, Department of Speech, Music and Hearing, 1996 | 16 | 1996 |
| Preferred dance tempo: does sex or body morphology influence how we groove? S Dahl, D Huron, G Brod, E Altenmüller Journal of New Music Research 43 (2), 214-223, 2014 | 15 | 2014 |
| Toward a new model for sound control R Bresin, A Friberg, S Dahl COST G-6 Conference on Digital Audio Effects (DAFX-01), Limerick, Ireland …, 2001 | 15 | 2001 |
| What can the body movements reveal about a musician’s emotional intention? S Dahl, A Friberg SMAC 03, Stockholm Music Acoustics Conference 2, 599-602, 2003 | 11 | 2003 |
| Effect of dynamic level in drumming: measurement of striking velocity, force, and sound level S Dahl, M Grossbach, E Altenmüller Proceedings of the Forum Acusticum (European Acoustics Association), 621-624, 2011 | 10 | 2011 |
Anders FribergKTH Royal Institute of TechnologyVerified email at kth.se
