Sofia Dahl

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Anders FribergKTH Royal Institute of TechnologyVerified email at kth.se
Roberto BresinProfessor of Media Technology, KTH Royal Institute of technologyVerified email at kth.se
Frank PollickProfessor of Psychology, University of GlasgowVerified email at glasgow.ac.uk
Federico AvanziniAssociate Professor, University of MilanoVerified email at di.unimi.it
Davide RocchessoFull Professor. Università degli Studi di PalermoVerified email at unipa.it
Altenmüller EckartProfessor für Musikphysiologie, Hannover University of Music, Drama, and Media Verified email at hmtm-hannover.de
David HuronAcademy Professor Emeritus, Ohio State UniversityVerified email at osu.edu
Cumhur ErkutAssociate Professor, Aalborg University CopenhagenVerified email at create.aau.dk
Frederic BevilacquaIRCAM ParisVerified email at ircam.fr
Antonio CamurriProfessor, University of Genoa, ItalyVerified email at unige.it
Rolf Inge GodøyProfessor of Musicology, University of OsloVerified email at imv.uio.no
Svante GranqvistUniversitetslektor Kungl. tekniska högskolanVerified email at kth.se
Stefania SerafinAalborg UniversityVerified email at create.aau.dk
Dan OverholtVerified email at create.aau.dk
Victor González SánchezSINTEFVerified email at sintef.no
Kjetil Falkenberg (Hansen)KTH Royal Institute of TechnologyVerified email at kth.se
Min-Ho SongTechnical University of DenmarkVerified email at elektro.dtu.dk

Sofia Dahl

Associate Professor in Music perception and Cognition, Aalborg University

Verified email at create.aau.dk

Musicians' movements timing production and perception


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Visual perception of expressiveness in musicians' body movements S Dahl, A Friberg Music Perception 24 (5), 433-454, 2007	382	2007
Playing the accent-comparing striking velocity and timing in an ostinato rhythm performed by four drummers S Dahl Acta Acustica united with Acustica 90 (4), 762-776, 2004	111	2004
Multisensory integration of drumming actions: musical expertise affects perceived audiovisual asynchrony K Petrini, S Dahl, D Rocchesso, CH Waadeland, F Avanzini, A Puce, ... Experimental brain research 198 (2-3), 339, 2009	100	2009
Gestures in performance S Dahl, F Bevilacqua, R Bresin, M Clayton, L Leante, I Poggi, ... Musical gestures: Sound, movement, and meaning, 36-68, 2010	99	2010
The playing of an accent–preliminary observations from temporal and kinematic analysis of percussionists S Dahl Journal of New Music Research 29 (3), 225-233, 2000	78	2000
Action expertise reduces brain activity for audiovisual matching actions: an fMRI study with expert drummers K Petrini, FE Pollick, S Dahl, P McAleer, L McKay, D Rocchesso, ... Neuroimage 56 (3), 1480-1492, 2011	72	2011
Expressiveness of musician’s body movements in performances on marimba S Dahl, A Friberg International Gesture Workshop, 479-486, 2003	69	2003
On the beat: Human movement and timing in the production and perception of music S Dahl KTH, 2005	48	2005
Movements and analysis of drumming S Dahl Oxford University Press, 2012	37	2012
Is the player more influenced by the auditory than the tactile feedback from the instrument S Dahl, R Bresin Proc. of the cost-g6 workshop on digital audio effects (dafx-01), limerick …, 2001	35	2001
Striking movements: A survey of motion analysis of percussionists S Dahl Acoustical science and technology 32 (5), 168-173, 2011	34	2011
Experiments on gestures: walking, running, and hitting R Bresin, S Dahl The sounding object, 111-136, 2003	27	2003
Motor control in drumming: Influence of movement pattern on contact force and sound characteristics S Dahl, E Altenmüller	26	2008
Ghost in the Cave–an interactive collaborative game using non-verbal communication ML Rinman, A Friberg, B Bendiksen, D Cirotteau, S Dahl, I Kjellmo, ... International Gesture Workshop, 549-556, 2003	24	2003
Facial expression and vocal pitch height: Evidence of an intermodal association. D Huron, S Dahl, R Johnson Empirical Musicology Review 4 (3), 93-100, 2009	23	2009
Preferred dance tempo: does sex or body morphology influence how we groove? S Dahl, D Huron, G Brod, E Altenmüller Journal of New Music Research 43 (2), 214-223, 2014	20	2014
Spectral changes in the tom-tom related to striking force S Dahl Royal Institute of Technology, Department of Speech, Music and Hearing, 1996	16	1996
Toward a new model for sound control R Bresin, A Friberg, S Dahl COST G-6 Conference on Digital Audio Effects (DAFX-01), Limerick, Ireland …, 2001	15	2001
What can the body movements reveal about a musician’s emotional intention? S Dahl, A Friberg SMAC 03, Stockholm Music Acoustics Conference 2, 599-602, 2003	12	2003
Effect of dynamic level in drumming: measurement of striking velocity, force, and sound level S Dahl, M Grossbach, E Altenmüller Proceedings of Forum Acusticum, 621-624, 2011	11	2011

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