Sofia Dahl

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Anders FribergKTH Royal Institute of TechnologyVerified email at kth.se
Roberto BresinProfessor of Media Technology, KTH Royal Institute of technologyVerified email at kth.se
Altenmüller EckartProfessor für Musikphysiologie, Hannover University of Music, Drama, and Media Verified email at hmtm-hannover.de
Frank PollickProfessor of Psychology, University of GlasgowVerified email at glasgow.ac.uk
Federico AvanziniFull Professor, University of MilanoVerified email at di.unimi.it
Davide RocchessoFull Professor. Università degli Studi di PalermoVerified email at unipa.it
Cumhur ErkutAssociate Professor, Aalborg University CopenhagenVerified email at create.aau.dk
David HuronAcademy Professor Emeritus, Ohio State UniversityVerified email at osu.edu
Rolf Inge GodøyProfessor of Musicology, University of OsloVerified email at imv.uio.no
Frederic BevilacquaIRCAM ParisVerified email at ircam.fr
Stefania SerafinAalborg UniversityVerified email at create.aau.dk
Antonio CamurriProfessor, University of Genoa, ItalyVerified email at unige.it
Svante GranqvistUniversitetslektor Kungl. tekniska högskolanVerified email at kth.se
Victor González SánchezSINTEFVerified email at sintef.no
Dan OverholtAalborg University CopenhagenVerified email at create.aau.dk
George SiorosUniversity of PlymouthVerified email at plymouth.ac.uk
Min-Ho SongTechnical University of DenmarkVerified email at elektro.dtu.dk
Kjetil FalkenbergKTH Royal Institute of TechnologyVerified email at kth.se

Sofia Dahl

Associate Professor in Music perception and Cognition, Aalborg University

Verified email at create.aau.dk

Musicians' movements timing production and perception


Title Sort by citations Sort by year Sort by title	Cited by Cited by	Year
Visual perception of expressiveness in musicians' body movements S Dahl, A Friberg Music Perception 24 (5), 433-454, 2007	439	2007
Playing the accent-comparing striking velocity and timing in an ostinato rhythm performed by four drummers S Dahl Acta Acustica united with Acustica 90 (4), 762-776, 2004	121	2004
Gestures in performance S Dahl, F Bevilacqua, R Bresin Musical Gestures, 48-80, 2010	119	2010
Multisensory integration of drumming actions: musical expertise affects perceived audiovisual asynchrony K Petrini, S Dahl, D Rocchesso, CH Waadeland, F Avanzini, A Puce, ... Experimental brain research 198, 339-352, 2009	115	2009
The playing of an accent–preliminary observations from temporal and kinematic analysis of percussionists S Dahl Journal of New Music Research 29 (3), 225-233, 2000	85	2000
Action expertise reduces brain activity for audiovisual matching actions: an fMRI study with expert drummers K Petrini, FE Pollick, S Dahl, P McAleer, L McKay, D Rocchesso, ... Neuroimage 56 (3), 1480-1492, 2011	82	2011
Expressiveness of musician’s body movements in performances on marimba S Dahl, A Friberg Gesture-Based Communication in Human-Computer Interaction: 5th International …, 2004	74	2004
On the beat: Human movement and timing in the production and perception of music S Dahl KTH, 2005	48	2005
Movements and analysis of drumming S Dahl Oxford University Press, 2012	44	2012
Striking movements: A survey of motion analysis of percussionists S Dahl Acoustical science and technology 32 (5), 168-173, 2011	43	2011
Is the player more influenced by the auditory than the tactile feedback from the instrument S Dahl, R Bresin Proc. of the cost-g6 workshop on digital audio effects (dafx-01), limerick …, 2001	38	2001
Motor control in drumming: Influence of movement pattern on contact force and sound characteristics S Dahl, E Altenmüller	31	2008
Characterizing movement fluency in musical performance: Toward a generic measure for technology enhanced learning V Gonzalez-Sanchez, S Dahl, JL Hatfield, RI Godøy Frontiers in psychology 10, 84, 2019	30	2019
Preferred dance tempo: does sex or body morphology influence how we groove? S Dahl, D Huron, G Brod, E Altenmüller Journal of New Music Research 43 (2), 214-223, 2014	29	2014
Experiments on gestures: walking, running, and hitting R Bresin, S Dahl The sounding object, 111-136, 2003	29	2003
Facial expression and vocal pitch height: Evidence of an intermodal association. D Huron, S Dahl, R Johnson Empirical Musicology Review 4 (3), 93-100, 2009	27	2009
Ghost in the Cave–an interactive collaborative game using non-verbal communication ML Rinman, A Friberg, B Bendiksen, D Cirotteau, S Dahl, I Kjellmo, ... International Gesture Workshop, 549-556, 2003	25	2003
Spectral changes in the tom-tom related to striking force S Dahl Royal Institute of Technology, Department of Speech, Music and Hearing, 1996	20	1996
Toward a new model for sound control R Bresin, A Friberg, S Dahl COST G-6 Conference on Digital Audio Effects (DAFX-01), Limerick, Ireland …, 2001	16	2001
What can the body movements reveal about a musician’s emotional intention? S Dahl, A Friberg SMAC 03, Stockholm Music Acoustics Conference 2, 599-602, 2003	15	2003

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