Oded Ben-Tal
Title
Cited by
Cited by
Year
Music transcription modelling and composition using deep learning
BL Sturm, JF Santos, O Ben-Tal, I Korshunova
arXiv preprint arXiv:1604.08723, 2016
722016
SonART: The sonification application research toolbox
O Ben-Tal, J Berger, B Cook, M Daniels, G Scavone
Georgia Institute of Technology, 2002
452002
Reflections on synaesthesia, perception, and cognition
N Sagiv, A Ilbeigi, O Ben-Tal
Intellectica 55, 81-94, 2011
302011
Creative aspects of sonification
O Ben-Tal, J Berger
Leonardo 37 (3), 229-233, 2004
302004
Machine learning research that matters for music creation: A case study
BL Sturm, O Ben-Tal, Ú Monaghan, N Collins, D Herremans, E Chew, ...
Journal of New Music Research 48 (1), 36-55, 2019
182019
Taking the models back to music practice: Evaluating generative transcription models built using deep learning
BL Sturm, O Ben-Tal
Journal of Creative Music Systems 2 (1), 2017
17*2017
Characterising musical gestures
O Ben-Tal
Musicae Scientiae 16 (3), 247-261, 2012
142012
Rethinking the musical ensemble: A model for collaborative learning in higher education music technology
O Ben-Tal, D Salazar
Journal of Music, Technology & Education 7 (3), 279-294, 2014
112014
De natura sonoris: Sonification of complex data
O Ben-Tal, M Daniels, J Berger
Mathematics and Simulation with Biological, Economical, and Musicoacoustical …, 2001
82001
Information‐theoretic measures predict the human judgment of rhythm complexity
R de Fleurian, T Blackwell, O Ben‐Tal, D Müllensiefen
Cognitive science 41 (3), 800-813, 2017
62017
The embodiment of music/sound within and intermedia performance space
C Wilkins, O Ben-Tal
Proceedings of the 5th International Conference on Digital Arts, 19-24, 2010
42010
Let’s have another Gan Ainm: An experimental album of Irish traditional music and computer-generated tunes
B Sturm, O Ben-Tal
32018
Comparing perceptual and computational complexity for short rhythmic patterns
R De Fleurian, O Ben-Tal, D Müllensiefen, T Blackwell
Procedia-Social and Behavioral Sciences 126, 111-112, 2014
32014
Improvisation as a creative dialogue
O Ben-Tal, C Wilkins
Perspectives of New Music 51 (1), 21-39, 2013
32013
Musical toys: interactive audio for non-musicians
O Ben-Tal
32008
Making music with technology: a free improvisation ensemble
O Ben-Tal, R Demianiuk, S Heath, S Kendall, D Salazar
Institute of Education, 2014
22014
Artificial intelligence and music: open questions of copyright law and engineering praxis
BLT Sturm, M Iglesias, O Ben-Tal, M Miron, E Gómez
Arts 8 (3), 115, 2019
12019
Zoom arrière: L’ethnomusicologie à l’ère du Big Data
F Spielmann, A Helmlinger, J Simonnot, T Fillon, G Pellerin, BL Sturm, ...
Cahiers d'ethnomusicologie 30, 9-28, 2017
12017
Finding Music in Music Data: A Summary of the DaCaRyH Project
O Ben-Tal, BL Sturm, E Quinton, J Simonnot, A Helmlinger
Computational Phonogram Archiving, 191-205, 2019
2019
Between the Lines
O Ben-Tal
2018
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