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Emma Allingham
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Kinematics of perceived dyadic coordination in dance
M Hartmann, A Mavrolampados, E Allingham, E Carlson, B Burger, ...
Scientific Reports 9 (1), 1-14, 2019
102019
Motor performance in violin bowing: Effects of attentional focus on acoustical, physiological and physical parameters of a sound-producing action
E Allingham, B Burger, C Wöllner
Journal of New Music Research 50 (5), 428-446, 2021
52021
Time perception in human movement: Effects of speed and agency on duration estimation
E Allingham, D Hammerschmidt, C Wöllner
Quarterly Journal of Experimental Psychology 74 (3), 559-572, 2021
32021
Effects of attentional focus on motor performance and physiology in a slow-motion violin bow-control task: Evidence for the constrained action hypothesis in bowed string technique
E Allingham, C Wöllner
Journal of Research in Music Education 70 (2), 168-189, 2022
12022
Preparing to perform: Focus of Attention and Slow Practice in the Preparation for Instrumental Music Performance
E Allingham
Staats-und Universitätsbibliothek Hamburg Carl von Ossietzky, 2022
2022
Slow practice and tempo-management strategies in instrumental music learning: Investigating prevalence and cognitive functions
E Allingham, C Wöllner
Psychology of Music, 03057356211073481, 2022
2022
Motion in musical sound: the role of music performer bodily gesture in creating expressive sounding music
E Allingham
2018
Motor skill performance in violin bowing: Evidence for constrained action effects on acoustical, physiological, and physical outcomes
E Allingham, B Burger, C Wöllner
“Paralysis by analysis”: Effects of focus of attention on acoustic and motion parameters in open string violin bowing
E Allingham, C Wöllner
Musicians' Timbral Adjustments in Response to Emotional Cues in Musical Accompaniments
A Czepiel, E Allingham, K Oudyk, A Zamudio, P Saari
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Articles 1–10