| Celebrity in the ‘Twitterverse’: history, authenticity and the multiplicity of stardom situating the ‘newness’ of Twitter S Thomas Celebrity studies 5 (3), 242-255, 2014 | 89 | 2014 |
| Theme choice in EAP and media language T Hawes, S Thomas Journal of English for academic purposes 11 (3), 175-183, 2012 | 55 | 2012 |
| Cult Film Stardom: Offbeat Attractions and Processes of Cultification K Egan, S Thomas Springer, 2012 | 30 | 2012 |
| Peter Lorre - Face Maker: Constructing Stardom and Performance in Hollywood and Europe S Thomas | 18* | 2012 |
| Introduction: star-making, cult-making and forms of authenticity K Egan, S Thomas Cult Film Stardom: Offbeat Attractions and Processes of Cultification, 1-17, 2013 | 10 | 2013 |
| Tweet celebrity J Bennett, S Thomas Celebrity studies 5 (4), 501-503, 2014 | 9 | 2014 |
| The star in VR S Thomas Celebrity Studies 10 (4), 453-468, 2019 | 7 | 2019 |
| The New Brutalism: Agency, Embodiment and Performance in Daniel Craig's 007 S Thomas Journal of Popular Film and Television 46 (1), 34-45, 2018 | 7 | 2018 |
| ‘Marginal moments of spectacle’: Character Actors, Cult Stardom and Hollywood Cinema S Thomas Cult Film Stardom: Offbeat Attractions and Processes of Cultification, 37-54, 2013 | 7 | 2013 |
| Keanu Reeves, John Wick, and the myths and tensions between star brands and franchise properties S Thomas Celebrity Studies 13 (2), 244-258, 2022 | 5 | 2022 |
| A star of the airwaves: Peter Lorre master of the macabre and American radio programming S Thomas Radio Journal: International Studies in Broadcast & Audio Media 5 (2-3), 143-155, 2008 | 5 | 2008 |
| Introduction to the special issue: Keanu Reeves as palimpsest R Middlemost, S Thomas Celebrity Studies 13 (2), 137-142, 2022 | 2 | 2022 |
| Style and Performance in The Best Years of Our Lives SK Thomas Movie: A Journal of Film Criticism, 2015 | 1 | 2015 |
| Playing “Peter Lorre”: the self-reflexive performance strategies of a cult actor S Thomas Cine-Excess Cult Film Conference, 2007 | 1 | 2007 |
| ‘A match made in heaven (or hell)’: Franchise experiments between the horror film genre and virtual reality media (2014–2020) S Thomas Horror Franchise Cinema, 206-223, 2021 | | 2021 |
| The Invention of Celebrity, Translated by Lynn Jeffress S Thomas European Journal of Communication 34 (6), 704-709, 2019 | | 2019 |
| Crispin Glover S Thomas The Routledge Companion to Cult Cinema, 478-487, 2019 | | 2019 |
| A balancing act (or): Jason Statham and the ensemble fi lm S Thomas Crank it up, 71-96, 2019 | | 2019 |
| James Mason S Thomas Bloomsbury Publishing, 2018 | | 2018 |
| Using eye tracking and Raiders of the Lost Ark (1981) to investigate stardom S Thomas, A Qureshi, A Bell Seeing into Screens: Eye Tracking and the Moving Image, 191, 2018 | | 2018 |
