| Indian films in Soviet cinemas: The culture of movie-going after Stalin S Rajagopalan Indiana University Press, 2008 | 96 | 2008 |
| Connecting activists and journalists: Twitter communication in the aftermath of the 2012 Delhi rape T Poell, S Rajagopalan Journalism, Democracy and Civil Society in India, 117-131, 2018 | 72 | 2018 |
| Leave disco dancer alone!: Indian cinema and Soviet movie-going after Stalin S Rajagopalan (No Title), 2008 | 46 | 2008 |
| Emblematic of the thaw: Early Indian films in Soviet cinemas S Rajagopalan South Asian Popular Culture 4 (2), 83-100, 2006 | 32 | 2006 |
| Publicness on platforms: Tracing the mutual articulation of platform architectures and user practices T Poell, S Rajagopalan, A Kavada A networked self and platforms, stories, connections, 43-58, 2018 | 12 | 2018 |
| Remix videos and the mnemonic imagination: Emotional memories of late Soviet childhood S Rajagopalan International Journal of Cultural Studies 22 (1), 9-36, 2019 | 10 | 2019 |
| Shahrukh Khan as media text: Celebrity, identity and emotive engagement in a Russian online community S Rajagopalan Celebrity Studies 2 (3), 263-276, 2011 | 10 | 2011 |
| A taste for Indian films: negotiating cultural boundaries in post-Stalinist Soviet society S Rajagopalan Indiana University, 2005 | 9 | 2005 |
| Misogyny, solidarity and postfeminism on social media: The work of being Diana Shurygina, survivor-celebrity S Rajagopalan European Journal of Cultural Studies 22 (5-6), 739-762, 2019 | 7 | 2019 |
| Slash fandom, sociability, and sexual politics in Putin's Russia S Rajagopalan Transformative Works and Cultures 19, 2015 | 7 | 2015 |
| Is there room for the fan? The discursive television audience in Russia S Rajagopalau Digital Icons: Studies in Russian, Eurasian and Central European New Media …, 2013 | 6 | 2013 |
| Kino-teatr. ru: contemporary cinephiles at work S Rajagopalan Digital Icons: Studies in Russian, Eurasian and Central European New Media 5 …, 2011 | 6 | 2011 |
| How to be a well-groomed Russian: Cultural citizenship in the television/new media interface S Rajagopalan Digital Icons: Studies in Russian, Eurasian and Central European New Media 3 …, 2010 | 5 | 2010 |
| Indian Films in Soviet Cinemas S Rajagopalan The Culture of Movie-going, 2009 | 3 | 2009 |
| Soviet Books, Geopolitical Imagination, and Eclectic Solidarities in India 1 S Rajagopalan Performing the Cold War in the Postcolonial World, 197-222, 2022 | 2 | 2022 |
| Shoppers, dupes and other types: The television audience in post-Soviet Russian discourses S Rajagopalan Meanings of Audiences, 50-63, 2013 | 2 | 2013 |
| Tracing the Mutual Articulation of Platform Architectures and User Practices T Poell, S Rajagopalan, A Kavada A Networked Self and Platforms, Stories, Connections, 2018 | 1 | 2018 |
| Journeys of Soviet Things: Cold War as Lived Experience in Cuba and India S Rajagopalan Routledge, 2023 | | 2023 |
| Miriam Neirick. When Pigs Could Fly and Bears Could Dance: A History of the Soviet Circus. S Rajagopalan The American Historical Review 118 (4), 1284-1285, 2013 | | 2013 |
| SHOPPERS, DUPES AND OTHER TYPES S Rajagopalan Meanings of Audiences: Comparative Discourses, 50, 2013 | | 2013 |
