Klaus Frieler
Klaus Frieler
Max Planck Institute for Empirical Aesthetics, Frankfurt/M, Germany
Verified email at - Homepage
Cited by
Cited by
Cognitive adequacy in the measurement of melodic similarity: Algorithmic vs. human judgments
D Müllensiefen, K Frieler
Computing in Musicology 13 (2003), 147-176, 2004
Inside the jazzomat: new perspectives for jazz research
M Pfleiderer
Deutsche Nationalbibliothek, 2017
Absolute memory for pitch: A comparative replication of Levitin’s 1994 study in six European labs
K Frieler, T Fischinger, K Schlemmer, K Lothwesen, K Jakubowski, ...
Musicae Scientiae 17 (3), 334-349, 2013
What is the sound of citrus? Research on the correspondences between the perception of sound and flavor
K Bronner, K Frieler, H Bruhn, R Hirt, D Piper
Proceedings of the 12th International Conference of Music Perception and …, 2012
Optimizing measures of melodic similarity for the exploration of a large folk song database.
D Müllensiefen, K Frieler
ISMIR, 2004
Intonation in unaccompanied singing: Accuracy, drift, and a model of reference pitch memory
M Mauch, K Frieler, S Dixon
The Journal of the Acoustical Society of America 136 (1), 401-411, 2014
Modelling experts’ notions of melodic similarity
D Müllensiefen, K Frieler
Musicae Scientiae 11 (1_suppl), 183-210, 2007
Decoding emotions in expressive music performances: A multi-lab replication and extension study
J Akkermans, R Schapiro, D Müllensiefen, K Jakubowski, D Shanahan, ...
Cognition and Emotion, 2018
Challenges and opportunities of predicting musical emotions with perceptual and automatized features
EB Lange, K Frieler
Music Perception: An Interdisciplinary Journal 36 (2), 217-242, 2018
Midlevel analysis of monophonic jazz solos: A new approach to the study of improvisation
K Frieler, M Pfleiderer, WG Zaddach, J Abeßer
Musicae Scientiae 20 (2), 143-162, 2016
Influence of virtual room acoustics on choir singing.
T Fischinger, K Frieler, J Louhivuori
Psychomusicology: Music, Mind, and Brain 25 (3), 208, 2015
Spontaneous motor tempo: Investigating psychological, chronobiological, and demographic factors in a large-scale online tapping experiment
D Hammerschmidt, K Frieler, C Wöllner
Frontiers in Psychology 12, 677201, 2021
Replication in music psychology
K Frieler, D Müllensiefen, T Fischinger, K Schlemmer, K Jakubowski, ...
Musicae Scientiae 17 (3), 265-276, 2013
Measuring melodic similarity: Human vs. algorithmic judgments
D Müllensiefen, K Frieler
Proceedings of the Conference on Interdisciplinary Musicology (CIM04) Graz …, 2004
Inside the jazzomat
M Pfleiderer, K Frieler, J Abeßer, WG Zaddach, B Burkhart
New Perspectives for Jazz Research, 2017
Is independent creation likely to happen in pop music?
K Frieler, F Riedemann
Musicae Scientiae 15 (1), 17-28, 2011
The Jazzomat project. Issues and methods for the automatic analysis of jazz improvisations
M Pfleiderer, K Frieler
Concepts, experiments, and fieldwork: Studies in systematic musicology and …, 2010
Beat and meter extraction using gaussified onsets.
K Frieler
ISMIR, 2004
Experiencing musical beauty: Emotional subtypes and their physiological and musico-acoustic correlates.
D Omigie, K Frieler, C Bär, R Muralikrishnan, M Wald-Fuhrmann, ...
Psychology of Aesthetics, Creativity, and the Arts 15 (2), 197, 2021
The perception of accents in pop music melodies
D Müllensiefen, M Pfleiderer, K Frieler
Journal of New Music Research 38 (1), 19-44, 2009
The system can't perform the operation now. Try again later.
Articles 1–20