At the centre of it all: constructing contact through the rock art of Watarrka National Park, central Australia UK Frederick Archaeology in Oceania 34 (3), 132-144, 1999 | 78 | 1999 |
Closing the distance: interpreting cross‐cultural engagements through Indigenous rock art A Clarke, U Frederick Archaeology of Oceania: Australia and the Pacific islands, 116-133, 2006 | 67 | 2006 |
Revolution is the new black: graffiti/art and mark-making practices UK Frederick Archaeologies 5, 210-237, 2009 | 63 | 2009 |
Making a sea change: Rock art, archaeology and the enduring legacy of Frederick McCarthy's research on Groote Eylandt U Frederick, A Clarke Exploring the Legacy of the 1948 Arnhem Land Expedition, pp. 135-155, 2011 | 31 | 2011 |
Beyond Art/Archaeology: Research and Practice after the" Creative Turn" A Thomas, D Lee, U Frederick, C White Journal of Contemporary Archaeology 4 (2 (2017)), 121-129, 2018 | 28 | 2018 |
Signs of the times: archaeological approaches to historical and contemporary graffiti U Frederick, A Clarke Australian Archaeology 78 (1), 54-57, 2014 | 27 | 2014 |
Keeping the land alive: Changing social contexts of landscape and rock art production U Frederick The Archaeology of Difference, 325-355, 2003 | 24 | 2003 |
Wandjina, graffiti and heritage: The power and politics of enduring imagery U Frederick, S O'Connor Humanities Research 15 (2), 153-183, 2009 | 22 | 2009 |
Wandjina, graffiti and heritage: The power and politics of enduring imagery U Frederick, S O'Connor Humanities Research 15 (2), 153-183, 2009 | 22 | 2009 |
The mark of marvellous ideas: Groote Eylandt rock art and the performace of cross-cultural relations U Frederick, A Clarke Strangers on the shore: Early coastal contacts in Australia, 2008 | 21 | 2008 |
Drawing in differences: changing social contexts of rock art production in Watarrka (Kings Canyon) National Park, Central Australia U Frederick The Australian National University, 1997 | 21 | 1997 |
Women willing to fight: The fighting woman in film S Andris, UK Frederick Cambridge scholars publishing, 2009 | 20 | 2009 |
Object stories: artifacts and archaeologists S Brown, A Clarke, U Frederick Routledge, 2016 | 18 | 2016 |
‘Rebecca will you marry me? Tim’: inscriptions as objects of biography at the North Head Quarantine Station, Manly, New South Wales A Clarke, U Frederick Archaeology in Oceania 47 (2), 84-90, 2012 | 15 | 2012 |
Stories from the Sandstone: Quarantine Inscriptions from Australia's Immigrant Past UK Frederick, A Clarke, P Hobbins Arbon Press, 2016 | 13 | 2016 |
Wish you were here: historic inscriptions from the North Head Quarantine Station, Manly, NSW A Clarke, U Frederick, A Williams Australasian Historical Archaeology 28, 77-84, 2010 | 13 | 2010 |
‘No complaints’: counter-narratives of immigration and detention in graffiti at North Head Immigration Detention Centre, Australia 1973–76 A Clarke, UK Frederick, P Hobbins World Archaeology 49 (3), 404-422, 2017 | 11 | 2017 |
“Born to be a Stoway”: Inscriptions, graffiti, and the rupture of space at the north head Quarantine Station, Sydney A Clarke, UK Frederick International Journal of Historical Archaeology 20, 521-535, 2016 | 11 | 2016 |
Battlefield or gallery? A comparative analysis of contemporary mark-making practices in Sydney, Australia A Crisp, A Clarke, U Frederick australian ARCHAEOLOGY 78 (1), 75-83, 2014 | 11 | 2014 |
Roadworks: Automobility and belonging in Aboriginal art U Frederick Humanities Research 17 (2), 81-107, 2011 | 11 | 2011 |