| Reworlding Art History: Encounters with Contemporary Southeast Asian Art after 1990 M Antoinette Reworlding Art History, 2014 | 25 | 2014 |
| Contemporary Asian Art and Exhibitions: Connectivities and World-making M Antoinette, C Turner ANU Press, 2014 | 23 | 2014 |
| The Unexpected Guest: Food and Hospitality in Contemporary Asian Art, in Antoinette & Turner eds F Maravillas Contemporary Asian Art and Exhibitions: Connectivities and World-making, 2014 | 12* | 2014 |
| Worlds pictured in contemporary art: Planes and connectivities, in Turner, Antoinette & Stanhope eds, The World and World-Making in Art (special issue) T Smith Humanities Research 19 (2), 11-25, 2013 | 10 | 2013 |
| Deterritorializing aesthetics: international art and its new cosmopolitanisms, from an Indonesian perspective M Antoinette Cosmopatriots, 205-233, 2007 | 10 | 2007 |
| Introduction Part 2-Asia Present and Resonant: Themes of Connectivity and World-making in Contemporary Asian Art M Antoinette Contemporary Asian Art and Exhibitions: Connectivities and World-making, 23-45, 2014 | 9 | 2014 |
| Different visions: contemporary Malaysian art and exhibition in the 1990s and beyond M Antoinette Narratives in Malaysian Art Volume II: Reactions-New Critical Strategies …, 2013 | 6 | 2013 |
| Positioning contemporary art worlds and art publics in Southeast Asia M Antoinette, F Maravillas World Art 10 (2-3), 161-189, 2020 | 5 | 2020 |
| The art of race: rethinking Malaysian identity through the art of Wong Hoy Cheong M Antoinette Race and Multiculturalism in Malaysia and Singapore, 205-226, 2009 | 5 | 2009 |
| Images that quiver: the in/visible geographies of'Southeast Asian'contemporary art MM Antoinette The Australian National University, 2005 | 5 | 2005 |
| Making Art (A Public) Matter in Asia: The Social Intervention Aesthetics of Tintin Wulia in Hong Kong M Antoinette Public Art Dialogue 8 (2), 258-289, 2018 | 4 | 2018 |
| Wawasan_Wawasan Berbeza: Karya dan Pameran Seni Rupa Kontemporari Malaysia pada 1990-an dan tahun-tahun berikutnya M Antoinette Reaksi-Strategi Kritikal Baru: Naratif Seni Rupa Malaysia, 194-217, 2013 | 3 | 2013 |
| The World and World–Making in Art: Connectivities and Differences Z Stanhope, M Antoinette World Art 2 (2), 167-171, 2012 | 3 | 2012 |
| A space for ‘Asian-Australian’art: Gallery 4A at The Asia-Australia Arts Centre M Antoinette Journal of Australian Studies 32 (4), 531-542, 2008 | 3 | 2008 |
| Vanishing acts: remembering 5th Passage in Singapore’s contemporary art history (a story about making art public) M Antoinette World Art 10 (2-3), 323-350, 2020 | 2 | 2020 |
| Endurance and Overcoming in the Art of Amron Omar and Melati Suryodarmo: Invoking Uncommon Alignments for Contemporary Southeast Asian Art History M Antoinette Southeast of Now: Directions in Contemporary and Modern Art in Asia 1 (1 …, 2017 | 2 | 2017 |
| An Experiment in Connectivity: From the ‘West Heavens’ to the ‘Middle Kingdom’, in Antoinette & Turner eds C Sambrani Contemporary Asian Art and Exhibitions: Connectivities and World-making, 2014 | 2* | 2014 |
| Intimate Pasts Resurrected and Released: Sex, Death, and Faith in the Art of José Legaspi M Antoinette Biography 31 (1), 133-160, 2008 | 2 | 2008 |
| Monstrous Territories, Queer Propositions: Negotiating The Asia Pacific Triennial of Contemporary Art, between Australia, the Philippines, and Other (Island) Worlds M Antoinette Asian Diasporic Visual Cultures and the Americas 3 (1-2), 54-85, 2017 | 1 | 2017 |
| 4 Trans/Localities?: Between Dwelling and Movement M Antoinette Cross/Cultures 178, 239-307, 2014 | 1 | 2014 |
