Oliver Bown

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Arne EigenfeldtProfessor, School for the Contemporary Arts, Simon Fraser UniversityVerified email at sfu.ca
Sam FergusonFaculty of Engineering and IT, University of Technology, SydneyVerified email at uts.edu.au
Jon McCormackMonash UniversityVerified email at monash.edu
Aengus MartinAmazon MusicVerified email at amazon.com
Philippe PasquierSchool of Interactive Arts and Technology - Simon Fraser UniversityVerified email at sfu.ca
Liam BrayLecturer in Design, The University of SydneyVerified email at sydney.edu.au
Angelo FraiettaVerified email at smartcontroller.com.au
Rob SaundersAssociate Professor, Leiden UniversityVerified email at liacs.leidenuniv.nl
Martin TomitschProfessor of Interaction Design, Design Lab, The University of SydneyVerified email at sydney.edu.au
Mari VelonakiProfessor of Social Robotics UNSW, Adjunct Professor USYDVerified email at unsw.edu.au
Frederic Anthony RobinsonUNSW Creative Robotics Lab & Interactive Media LabVerified email at unsw.edu.au
Geraint WigginsProfessor of Computational Creativity, Vrije Universiteit Brussel / Queen Mary University of LondonVerified email at vub.ac.be
Craig JinAssociate Professor, The University of SydneyVerified email at sydney.edu.au
Alice EldridgeReader in Sonic SystemsVerified email at ecila.org
Lian LokeUniversity of SydneyVerified email at sydney.edu.au
Shlomo DubnovProfessor Music, Computer Science and Engineering, UCSDVerified email at ucsd.edu
Andrew R. BrownGriffith UniversityVerified email at griffith.edu.au
Steffan IanigroStudent, University of New South WalesVerified email at student.unsw.edu.au
Mitchell WhitelawProfessor in Design, Australian National UniversityVerified email at anu.edu.au
Alan DorinMonash University, AustraliaVerified email at monash.edu

Oliver Bown

Associate Professor, UNSW Art & Design

Verified email at unsw.edu.au - Homepage

Musical Metacreation Electronic Media Art Creative Systems Computational Creativity Interaction Design


Title Sort by citations Sort by year Sort by title	Cited by Cited by	Year
Understanding Interaction in Contemporary Digital Music: from instruments to behavioural objects O Bown, A Eldridge, J Mccormack Organised Sound 14 (02), 188-196, 2009	97	2009
Ten questions concerning generative computer art J McCormack, O Bown, A Dorin, J McCabe, G Monro, M Whitelaw Leonardo 47 (2), 135-141, 2014	96	2014
An introduction to musical metacreation P Pasquier, A Eigenfeldt, O Bown, S Dubnov Computers in Entertainment (CIE) 14 (2), 1-14, 2017	81	2017
Continuous-time recurrent neural networks for generative and interactive musical performance O Bown, S Lexer Applications of Evolutionary Computing, 652-663, 2006	49	2006
Experiments in modular design for the creative composition of live algorithms O Bown Computer Music Journal 35 (3), 73-85, 2011	46	2011
Empirically Grounding the Evaluation of Creative Systems: Incorporating Interaction Design O Bown	41	2014
Generative and adaptive creativity: A unified approach to creativity in nature, humans and machines O Bown Computers and creativity, 361-381, 2012	41	2012
Live algorithms: Towards autonomous computer improvisers T Blackwell, O Bown, M Young Computers and creativity, 147-174, 2012	41	2012
Life’s what you make it: Niche construction and evolutionary art J McCormack, O Bown Applications of Evolutionary Computing, 528-537, 2009	38	2009
Towards a taxonomy of musical metacreation: Reflections on the first musical metacreation weekend A Eigenfeldt, O Bown, P Pasquier, A Martin Ninth Artificial Intelligence and Interactive Digital Entertainment Conference, 2013	36	2013
Computational social creativity R Saunders, O Bown Artificial life 21 (3), 366-378, 2015	31	2015
Collaborative Composition with Creative Systems: Reflections on the First Musebot Ensemble. A Eigenfeldt, O Bown, B Carey ICCC, 134-141, 2015	30	2015
Manifesto for a Musebot Ensemble: A platform for live interactive performance between multiple autonomous musical agents O Bown, B Carey, A Eigenfeldt Proceedings of the international symposium of electronic art, 2015	28	2015
Using embodied audio-visual interaction to promote social encounters around large media façades L Hespanhol, M Tomitsch, O Bown, M Young Proceedings of the 2014 conference on Designing interactive systems, 945-954, 2014	28	2014
Taming nature: tapping the creative potential of ecosystem models in the arts O Bown, J McCormack Digital Creativity 21 (4), 215-231, 2010	25	2010
Examining the Perception of Liveness and Activity in Laptop Music: Listeners’ Inference about What the Performer is Doing from the Audio Alone O Bown, R Bell, A Parkinson	24	2014
A toolkit for designing interactive musical agents A Martin, CT Jin, O Bown Proceedings of the 23rd Australian computer-human interaction conference …, 2011	24	2011
Flexible generation of musical form: beyond mere generation A Eigenfeldt, O Bown, AR Brown, T Gifford Proceedings of the seventh international conference on computational …, 2016	23	2016
Player Responses to a Live Algorithm: Conceptualising computational creativity without recourse to human comparisons? O Bown ICCC, 126-133, 2015	22	2015
Attributing Creative Agency: Are we doing it right? O Bown ICCC, 17-22, 2015	21	2015

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