| NIME and the environment: toward a more sustainable NIME practice R Masu, AP Melbye, J Sullivan, AR Jensenius NIME 2021, 2021 | 41 | 2021 |
| Resistance, Mastery, Agency: Improvising with the feedback-actuated augmented bass AP Melbye Organised Sound 26 (1), 19-30, 2021 | 21 | 2021 |
| Sculpting the behaviour of the Feedback-Actuated Augmented Bass: Design strategies for subtle manipulations of string feedback using simple adaptive algorithms A Melbye, H Úlfarsson International Conference on New Interfaces for Musical Expression 2020, 221-226, 2020 | 8 | 2020 |
| A continuously receding Horizon AP Melbye ECHO, a journal of music, thought and technology3, 2022 | 4 | 2022 |
| A Continually Receding Horizon AP Melbye Queen’s University Belfast, 2023 | 3 | 2023 |
| The Virtual is Material: Music Improvisation in Post-Digital Ecologies. P Stapleton, AP Melbye, J Bowers Body, Space & Technology 21 (1), 2022 | 2 | 2022 |
| VASPI Performance P Stapleton, AP Melbye | 2 | 2017 |
| Sustainable digital fabrication in nime: Nine sustainability strategies for dmi production N Merendino, M Bettega, AP Melbye, J Sullivan, A Rodà, R Masu NIME 2024, 2024 | 1 | 2024 |
| A continuously receding horizon: materiality and unmastery in feedback practices AP Melbye ECHO: a journal of music, thought and technology 3, 2022 | 1 | 2022 |
| Networked performance by 3BP AP Melbye, P Stapleton, J Bowers NIME 2021, 2021 | 1 | 2021 |
| Sculpting the behaviour of the Feedback-Actuated Augmented Bass H Ulfarsson, AP Melbye | 1 | |
| The Organium: A Library of Technical Elements for Improvisatory Design Thinking T Magnusson, K Braybrooke, S Skach, G Lepri, M Donnarumma, ... Proceedings of the 19th International Audio Mostly Conference: Explorations …, 2024 | | 2024 |
| Levels of improvisation and neocybernetic relations S Rose, AP Melbye Relational Improvisation, 75-108, 2024 | | 2024 |
| The Organium T Magnusson, K Braybrooke, S Skach, G Lepri, M Donnarumma, ... | | 2024 |
| pultzLib AP Melbye | | 2023 |
| Discussing Performance Ecologies R Masu, AP Melbye International Conference on New Interfaces for Musical Expression, 2022 | | 2022 |
| A continuously receding horizon: Materiality and Unmastery in feedback practices ECHO, a journal of music, thought and technology, 2022 | | 2022 |
| Feedback: Introduction. ECHO, a journal of music, thought and technology, 2022 | | 2022 |
| Three-Body Problem Online Performance at New York City Electroacoustic Improvisation Summit P Stapleton, J Bowers, AP Melbye | | 2021 |
| NIME Eco Wiki-a crash course J Sullivan, AP Melbye, R Masu International Conference on New Interfaces for Musical Expression, 2021 | | 2021 |
Raul MasuComputational Media and Arts, Hong Kong University of Science and Technology (GZ)Verified email at hkust-gz.edu.cn
