| Automated reconstruction of 3D models from real environments V Sequeira, K Ng, E Wolfart, JGM Gonçalves, D Hogg ISPRS Journal of Photogrammetry and Remote Sensing 54 (1), 1-22, 1999 | 264 | 1999 |
| Automated 3D reconstruction of interiors with multiple scan views V Sequeira, KC Ng, E Wolfart, JGM Goncalves, DC Hogg Videometrics VI 3641, 106-117, 1998 | 98 | 1998 |
| Music via motion: transdomain mapping of motion and sound for interactive performances KC Ng Proceedings of the IEEE 92 (4), 645-655, 2004 | 81 | 2004 |
| 3D augmented mirror: a multimodal interface for string instrument learning and teaching with gesture support KC Ng, T Weyde, O Larkin, K Neubarth, T Koerselman, B Ong Proceedings of the 9th international conference on Multimodal interfaces …, 2007 | 65 | 2007 |
| Recognition and reconstruction of primitives in music scores KC Ng, RD Boyle Image and Vision computing 14 (1), 39-46, 1996 | 48 | 1996 |
| Tracking conductors hand movements using multiple wiimotes D Bradshaw, K Ng 2008 International Conference on Automated Solutions for Cross Media Content …, 2008 | 46 | 2008 |
| Music manuscript tracing K Ng Graphics Recognition Algorithms and Applications: 4th International Workshop …, 2002 | 36 | 2002 |
| Interactive multimedia music technologies K Ng, P Nesi IGI Global, 2007 | 32 | 2007 |
| An integrated multi-sensory system for photo-realistic 3d scene reconstruction K Ng, V Sequeira, S Butterfield, D Hogg, JGM Gonçalves International archives of Photogrammetry and Remote Sensing 32, 356-363, 1998 | 31 | 1998 |
| The 3D augmented mirror: motion analysis for string practice training K Ng, O Larkin, T Koerselman, B Ong, D Schwarz, F Bevilacqua International Computer Music Conference (ICMC), 53-56, 2007 | 29 | 2007 |
| Musical Robots and Interactive Multimodal Systems: An Introduction J Solis, K Ng Musical Robots and Interactive Multimodal Systems, 1-12, 2011 | 28 | 2011 |
| Analyzing a conductors gestures with the wiimote D Bradshaw, K Ng Electronic Visualisation and the Arts (EVA 2008), 35-42, 2008 | 28 | 2008 |
| Preservation of interactive multimedia performances K Ng, TV Pham, B Ong, A Mikroyannidis, D Giaretta International Journal of Metadata, Semantics and Ontologies 3 (3), 183-196, 2008 | 28 | 2008 |
| Sonification of bowing features for string instrument training O Larkin, T Koerselman, B Ong, K Ng International Community for Auditory Display, 2008 | 27 | 2008 |
| Embracing the composer: optical recognition of handwritten manuscripts K Ng, D Cooper, E Stefani, R Boyle, N Bailey ICMC, 1999 | 26 | 1999 |
| Optical music imaging: music document digitisation, recognition, evaluation, and restoration G Jones, B Ong, I Bruno, NG Kia Interactive multimedia music technologies, 50-79, 2008 | 24 | 2008 |
| i-Maestro: Technology-Enhanced Learning and Teaching for Music. K Ng, P Nesi NIME, 225-228, 2008 | 22 | 2008 |
| Segmentation of music primitives KC Ng, RD Boyle BMVC92: Proceedings of the British Machine Vision Conference, organised by …, 1992 | 21 | 1992 |
| Electronic Visualisation in Arts and Culture JP Bowen, S Keene, K Ng Springer, 2013 | 19 | 2013 |
| Sensing and mapping for interactive performance K Ng Organised Sound 7 (2), 191-200, 2002 | 19 | 2002 |
Paolo NesiUniversity of Florence, DINFO, DISIT LabVerified email at unifi.it
