| Framing a phenomenological interview: what, why and how S Høffding, K Martiny Phenomenology and the Cognitive Sciences 15 (4), 539-564, 2016 | 107 | 2016 |
| Playing together without communicating? A pre-reflective and enactive account of joint musical performance A Schiavio, S Høffding Musicae Scientiae 19 (4), 366-388, 2015 | 82 | 2015 |
| Putting plural self-awareness into practice: the phenomenology of expert musicianship A Salice, S Høffding, S Gallagher Topoi 38 (1), 197-209, 2019 | 32 | 2019 |
| The epistemic status of intelligence: An epistemological contribution to the understanding of intelligence K Vrist Rønn, S Høffding Intelligence and national security 28 (5), 694-716, 2013 | 27 | 2013 |
| A phenomenology of musical absorption S Høffding Springer, 2019 | 23 | 2019 |
| What is skilled coping?: experts on expertise S Hoffding Journal of Consciousness Studies 21 (9-10), 49-73, 2014 | 22 | 2014 |
| A phenomenology of expert musicianship S Høffding Det Humanistiske Fakultet, Københavns Universitet, 2015 | 19 | 2015 |
| The promise of ‘sporting bodies’ in phenomenological thinking–how exceptional cases of practice can contribute to develop foundational phenomenological concepts S Ravn, S Høffding Qualitative research in sport, exercise and health 9 (1), 56-68, 2017 | 12 | 2017 |
| Interactive expertise in solo and joint musical performance S Høffding, G Satne Synthese, 1-19, 2019 | 9 | 2019 |
| Exploratory expertise and the dual intentionality of music-making S Høffding, A Schiavio Phenomenology and the Cognitive Sciences, 1-19, 2019 | 5 | 2019 |
| Passivity in Aesthetic Experience: Husserlian and Enactive Perspectives T Høffding, Simon & Roald Journal of Aesthetics and Phenomenology 6 (1), 1-20, 2019 | 3 | 2019 |
| Performative Passivity: Lessons on phenomenology and the extended musical mind with the Danish String Quartet S Høffding Music and Consciousness 2, 127-142, 2019 | 3 | 2019 |
| Not being there: An analysis of expertise‐induced amnesia S Høffding, BG Montero Mind & Language 35 (5), 621-640, 2020 | 2 | 2020 |
| Participation and Receptivity in the Art Museum–A Phenomenological Exposition S Høffding, M Rung, T Roald Curator: The Museum Journal 63 (1), 69-81, 2020 | 2 | 2020 |
| Conditions of creativity: A reading of Descartes, Kant, and Leibniz in the context of Soka education S HØffding 7TH ANNUAL SOKA EDUCATION CONFERENCE 2011, 53, 2011 | 1 | 2011 |
| From a Phenomenology of Music to a Phenomenology of Musicianship S Høffding The Oxford Handbook of Western Music and Philosophy, 307, 2020 | | 2020 |
| Evolving Enactivism (2017, MIT press); Shaun Gallagher, Enactivist Interventions (2017, Oxford University Press); Ezequiel Di Paolo, Thomas Buhrmann, and Xabier E. Barandiaran … S Høffding Philosophy 94 (3), 492-499, 2019 | | 2019 |
| Review of Dan Hutto and Erik Myin, Evolving Enactivism (2017, MIT press); Shaun Gallagher, Enactivist Interventions (2017, Oxford University Press); Ezequiel Di Paolo … S Høffding Philosophy 94 (3), 492-499, 2019 | | 2019 |
| Review of Dan Hutto and Erik Myin, Evolving Enactivism; Shaun Gallagher, Enactivist Interventions; Ezequiel Di Paolo, Thomas Buhrmann, and Xabier E. Barandiaran, Sensorimotor Life S Høffding | | 2019 |
| Passivity in Aesthetic Experience: Husserlian and Enactive Perspectives T Roald, S Høffding | | 2019 |
Andrea SchiavioCentre for Systematic Musicology | University of GrazVerified email at uni-graz.at
