| Working notions of active audiences: Further research on the active participant in convergent media industries VS Sundet, E Ytreberg Convergence 15 (4), 383-390, 2009 | 123 | 2009 |
| From 'secret' online teen drama to international cult phenomenon: The global expansion of SKAM and its public service mission VS Sundet Critical Studies in Television 15 (1), 69-90, 2020 | 91 | 2020 |
| TV–en innføring G Enli, H Moe, VS Sundet, T Syvertsen Oslo: Universitetsforlaget, 2010 | 54 | 2010 |
| «Fordi de fortjener det». Publikumsdeltakelse som strategisk utviklingsområde i mediebransjen A Maasø, T Syvertsen, VS Sundet Norsk medietidsskrift 14 (2), 126-154, 2007 | 39 | 2007 |
| Television Drama in the Age of Streaming: Transnational Strategies and Digital Production Cultures at the NRK VS Sundet Palgrave Pivot, 2021 | 37 | 2021 |
| Producing online youth fiction in a Nordic public-service context MM Andersen, VS Sundet View: Journal of European Television History and Culture 8 (16), 110-125, 2019 | 37 | 2019 |
| Still ‘Desperately seeking the audience’? Audience making in the age of media convergence (the Lilyhammer experience) VS Sundet Northern Lights 14 (1), 11-27, 2016 | 29 | 2016 |
| Non-professional Activity on Television in a Time of Digitalisation. More Fun for the Elite or New Opportunities for Ordinary People? F Karlsen, VS Sundet, S Trine, Y Espen Nordicom Review 30 (1), 19-36, 2009 | 29* | 2009 |
| «Det er bare du som kan føle det du føler» – emosjonell investering og engasjement i nettdramaet SKAM VS Sundet 16:9 Filmtidsskrift, 2017 | 28 | 2017 |
| From Fear of Television to Fear for Television: Five political debates about new technologies G Enli, H Moe, VS Sundet, T Syvertsen Media History 19 (2), 213-227, 2013 | 28* | 2013 |
| Conceptualizing the Experiential Affordances of Watching Online TV M Lüders, VS Sundet Television & New Media 23 (4), 335-351, 2022 | 24 | 2022 |
| Making sense of mobile media. Institutional working notions, strategies and actions in convergent media markets VS Sundet PhD thesis, 2012 | 23* | 2012 |
| Co-Produced Television Drama and The Cost of Transnational ‘Success’: The Making of Lilyhammer VS Sundet Building Successful and Sustainable Film and Television Businesses: A Cross …, 2017 | 21 | 2017 |
| Towards streaming as a dominant mode of media use? A user typology approach to music and television streaming M Lüders, VS Sundet, T Colbjørnsen Nordicom Review 42 (1), 35-57, 2021 | 20 | 2021 |
| The functions of buzzwords: A comparison of ‘Web 2.0’and ‘telematics’ OJ Mjøs, H Moe, VS Sundet First Monday 19 (2), https://doi.org/10.5210/fm.v19i12.4896, 2014 | 19 | 2014 |
| Global platforms and asymmetrical power: Industry dynamics and opportunities for policy change KA Ihlebæk, VS Sundet new media & society 25 (8), 2183-2200, 2023 | 18 | 2023 |
| 'Youthification' of drama through real-time storytelling: A production study of blank and the legacy of SKAM VS Sundet Critical Studies in Television 16 (2), 145-162, 2021 | 18 | 2021 |
| Ins and outs of transmedia fandom: Motives for entering and exiting the SKAM fan community online VS Sundet, LN Petersen Poetics 84 (101510), 1-10, 2021 | 18 | 2021 |
| The dream of mobile media VS Sundet The ambivalence of convergence, 87-116, 2007 | 18 | 2007 |
| Streaming across industries: Streaming logics and streaming lore across the music, film, television, and book industries VS Sundet, T Colbjørnsen MedieKultur: Journal of Media and Communication Research 37 (70), 12-31, 2021 | 17 | 2021 |
Trine SyvertsenProfessorVerified email at media.uio.no
