Marcelo M. Wanderley

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Joseph MallochAssistant Professor, Dalhousie UniversityVerified email at dal.ca
Stephen SinclairNonnegativ SolutionsVerified email at nonnegativ.com
Caroline PalmerProfessor, Psychology, McGill UniversityVerified email at mcgill.ca
Bradley W. VinesBerklee College of MusicVerified email at said.oxford.edu
sylvie gibetUniversité de Bretagne SudVerified email at univ-ubs.fr
Daniel J. LevitinMinerva University, McGill UniversityVerified email at minerva.edu
Mark T. MarshallLecturer at University of LimerickVerified email at ul.ie
Marcello GiordanoResearch Scientist, AppleVerified email at apple.com
Carol Lynne KrumhanslCornell UniversityVerified email at cornell.edu
Eduardo MenesesSociety for Arts and Technology (SAT) / CIRMMTVerified email at edumeneses.com
Andy HuntSchool of Physics, Engineering and Technology, University of York UKVerified email at york.ac.uk
Ian HattwickPhD Researcher, Mcgill UniversityVerified email at mail.mcgill.ca
Alexander Refsum JenseniusProfessor of Music Technology, University of OsloVerified email at imv.uio.no
Christian FrissonSociety for Arts and Technology [SAT], MetalabVerified email at sat.qc.ca
Stéphane HuotSenior Researcher (Directeur de Recherche) at InriaVerified email at inria.fr
Ivan FrancoMcGill UniversityVerified email at mail.mcgill.ca
Doug Van NortAssociate Professor, Canada Research Chair, Computational Arts & Music, York UniversityVerified email at yorku.ca
Travis J. WestMcGill UniversityVerified email at traviswest.ca
Eduardo R MirandaProfessor of Computer Music, Plymouth UniversityVerified email at plymouth.ac.uk
Andrew McPhersonChair in Design Engineering and Music, Imperial College LondonVerified email at imperial.ac.uk

Marcelo M. Wanderley

Professor, Music Technology - McGill University

Verified email at mcgill.ca - Homepage

new interfaces for musical expression NIME music technology sound and music computing computer music


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New digital musical instruments: control and interaction beyond the keyboard ER Miranda, MM Wanderley AR Editions, Inc., 2006	829	2006
The importance of parameter mapping in electronic instrument design A Hunt, MM Wanderley, M Paradis Journal of New Music Research 32 (4), 429-440, 2003	559	2003
Gesture-music C Cadoz, MM Wanderley Trends in gestural control of music, 2000	518	2000
Cross-modal interactions in the perception of musical performance BW Vines, CL Krumhansl, MM Wanderley, DJ Levitin Cognition 101 (1), 80-113, 2006	488	2006
Evaluation of input devices for musical expression: Borrowing tools from HCI MM Wanderley, N Orio Computer Music Journal 26 (3), 62-76, 2002	414	2002
Gestural control of sound synthesis MM Wanderley, P Depalle Proceedings of the IEEE 92 (4), 632-644, 2004	399	2004
Musical gestures: Concepts and methods in research AR Jensenius, MM Wanderley Musical gestures, 24-47, 2010	398	2010
The musical significance of clarinetists' ancillary gestures: An exploration of the field MM Wanderley, BW Vines, N Middleton, C McKay, W Hatch Journal of New Music Research 34 (1), 97-113, 2005	393	2005
Action-based effects on music perception PJ Maes, M Leman, C Palmer, MM Wanderley Frontiers in psychology 4, 1008, 2014	337	2014
Mapping performer parameters to synthesis engines A Hunt, MM Wanderley Organised sound 7 (2), 97-108, 2002	319	2002
Instrumental gestural mapping strategies as expressivity determinants in computer music performance JB Rovan, MM Wanderley, S Dubnov, P Depalle Kansei, The Technology of Emotion. Proceedings of the AIMI International …, 1997	294	1997
Trends in gestural control of music M Wanderley, M Battier Ircam, 2000	288*	2000
Towards a model for instrumental mapping in expert musical interaction A Hunt, MM Wanderley, R Kirk ICMC, 2000	247	2000
Quantitative analysis of non-obvious performer gestures MM Wanderley International Gesture Workshop, 241-253, 2001	228	2001
Music to my eyes: Cross-modal interactions in the perception of emotions in musical performance BW Vines, CL Krumhansl, MM Wanderley, IM Dalca, DJ Levitin Cognition 118 (2), 157-170, 2011	203	2011
Music and motion—how music-related ancillary body movements contribute to the experience of music M Nusseck, MM Wanderley Music Perception 26 (4), 335-353, 2009	169	2009
Evaluation of commercial force-sensing resistors A Hollinger, MM Wanderley Proceedings of the International Conference on New Interfaces for Musical …, 2006	163	2006
Gestural control of music MM Wanderley International Workshop Human Supervision and Control in Engineering and …, 2001	155	2001
2005: Towards a Dimension Space for Musical Devices D Birnbaum, R Fiebrink, J Malloch, MM Wanderley A NIME Reader: Fifteen Years of New Interfaces for Musical Expression, 211-222, 2017	151	2017
Towards a new conceptual framework for digital musical instruments J Malloch, D Birnbaum, E Sinyor, MM Wanderley Proceedings of the 9th international conference on digital audio effects, 49-52, 2006	139	2006

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