Fabio Morreale

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Andrew McPhersonChair in Design Engineering and Music, Imperial College LondonVerified email at imperial.ac.uk
Raul MasuComputational Media and Arts, Hong Kong University of Science and Technology (GZ)Verified email at hkust-gz.edu.cn
Antonella De AngeliUniversity of Bolzano ItalyVerified email at unibz.it
Jacob HarrisonNordoff and RobbinsVerified email at nordoff-robbins.org.uk
Jack ArmitageIntelligent Instruments Lab, University of IcelandVerified email at lhi.is
S. M. Astrid BinBela.ioVerified email at bela.io
Marcelo M. WanderleyProfessor, Music Technology - McGill UniversityVerified email at mcgill.ca
Robert H JackBela.ioVerified email at qmul.ac.uk
Sile O'ModhrainUniversity of MichiganVerified email at umich.edu
Alan ChamberlainPrincipal Research Fellow - University of Nottingham, Computer ScienceVerified email at nottingham.ac.uk
steve benfordThe University of NottinghamVerified email at cs.nott.ac.uk
Nuno N. CorreiaTallinn University, ITI/LARSySVerified email at tlu.ee
Paul StapletonProfessor of Music, SARC, Queen's University BelfastVerified email at qub.ac.uk
Nicu SebeUniversity of TrentoVerified email at unitn.it
Andrew Tzer-Yeu ChenKoi Tū: The Centre for Informed FuturesVerified email at auckland.ac.nz
Elham BahmanteymouriSenior Lecturer at the University of AucklandVerified email at auckland.ac.nz
Mela BettegaUniversidade Nova de LisboaVerified email at m-iti.org
Cecile ChevalierUniversity of SussexVerified email at sussex.ac.uk
Nicolas GoldAssociate Professor in Computer Science, University College LondonVerified email at ucl.ac.uk
Roberto BresinProfessor of Media Technology, KTH Royal Institute of technologyVerified email at kth.se

Fabio Morreale

Senior Lecturer, University of Auckland

Verified email at auckland.ac.nz - Homepage

AI Ethics Human-Computer Interaction Music-AI NIME


Title Sort by citations Sort by year Sort by title	Cited by Cited by	Year
Design for Longevity: Ongoing Use of Instruments from NIME 2010-14 F Morreale, A McPherson New Interfaces for Musical Expression, 2017	99	2017
Building a maker community around an open hardware platform F Morreale, G Moro, A Chamberlain, S Benford, AP McPherson Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems …, 2017	75	2017
Musical Interface Design: An Experience-oriented Framework F Morreale, A De Angeli, S O’Modhrain New Interfaces for Musical Expression, 2014	61	2014
NIME Identity from the Performer’s Perspective F Morreale, AP McPherson, MM Wanderley New Interfaces for Musical Expression, 2018	59*	2018
A NIME of the Times: Developing an Outward-Looking Political Agenda For This Community F Morreale, SMA Bin, AP McPherson, P Stapleton, MM Wanderley New Interfaces for Musical Expression, 2020	46	2020
Musical instruments for novices: Comparing NIME, HCI and crowdfunding approaches A McPherson, F Morreale, J Harrison New directions in music and human-computer interaction, 179-212, 2019	46	2019
Collaborative creativity: The music room F Morreale, A De Angeli, R Masu, P Rota, N Conci Personal and Ubiquitous Computing 18, 1187-1199, 2014	41	2014
Where does the buck stop? Ethical and political issues with AI in music creation F Morreale	39	2021
A quality adaptive multimodal affect recognition system for user-centric multimedia indexing R Gupta, M Khomami Abadi, JA Cárdenes Cabré, F Morreale, TH Falk, ... Proceedings of the 2016 ACM on international conference on multimedia …, 2016	35	2016
Democratising DMIs: the relationship of expertise and control intimacy RH Jack, J Harrison, F Morreale, A McPherson New Interfaces for Musical Expression, 2018	31	2018
Robin: an algorithmic composer for interactive scenarios F Morreale, R Masu, A De Angeli Proceedings of SMC 2013, 10th, 2013	28	2013
The effect of expertise in evaluating emotions in music F Morreale, R Masu, A De Angeli, P Fava The 3rd International Conference on Music & Emotion, Jyväskylä, Finland …, 2013	28	2013
Evaluating visitor experiences with interactive art F Morreale, A De Angeli Proceedings of the 11th Biannual Conference of the Italian SIGCHI Chapter, 50-57, 2015	26	2015
Magpick: an augmented guitar pick for nuanced control F Morreale, A Guidi, A McPherson New Interfaces for Musical Expression, 2019	23	2019
When is a guitar not a guitar? cultural form, input modality and expertise J Harrison, R Jack, F Morreale, A McPherson New Interfaces for Musical Expression, 2018	22	2018
ARCAA: A framework to analyse the artefact ecology in computer music performance R Masu, M Bettega, NN Correia, T Romão, F Morreale Proceedings of the 9th International Conference on Digital and Interactive …, 2019	20	2019
Making Sense of Sensors: Discovery through craft practice with an open-ended sensor material C Nordmoen, J Armitage, F Morreale, R Stewart, A McPherson Proceedings of the 2019 on Designing Interactive Systems Conference, 135-146, 2019	19	2019
Sound forest/ljudskogen: A large-scale string-based interactive musical instrument R Bresin, L Elblaus, E Frid, F Favero, L Annersten, D Berner, F Morreale Sound and Music Computing 2016, 79-84, 2016	19	2016
The finer the musician, the smaller the details: NIMEcraft under the microscope J Armitage, F Morreale, A McPherson New Interfaces for Musical Expression, 2017	18	2017
In-the-moment and beyond: Combining post-hoc and real-time data for the study of audience perception of electronic music performance SM Astrid Bin, F Morreale, N Bryan-Kinns, AP McPherson Human-Computer Interaction-INTERACT 2017: 16th IFIP TC 13 International …, 2017	18	2017

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