Fabio Morreale

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Andrew McPhersonChair in Design Engineering and Music, Imperial College LondonVerified email at imperial.ac.uk
Antonella De AngeliUniversity of Bolzano ItalyVerified email at unibz.it
Raul MasuLecturer, King Mongkut's Institute of Technology LadkrabangVerified email at kmitl.ac.th
Jacob HarrisonQueen Mary University of LondonVerified email at qmul.ac.uk
S. M. Astrid BinAbleton AG, DEVerified email at ableton.com
Robert H JackBelaVerified email at qmul.ac.uk
Marcelo M. WanderleyProfessor, Music Technology - McGill UniversityVerified email at mcgill.ca
Jack ArmitageIntelligent Instruments Lab, Iceland University of the ArtsVerified email at lhi.is
Sile O'ModhrainUniversity of MichiganVerified email at umich.edu
Alan ChamberlainSenior Fellow - University of Nottingham, Computer ScienceVerified email at nottingham.ac.uk
steve benfordThe University of NottinghamVerified email at cs.nott.ac.uk
Nicu SebeUniversity of TrentoVerified email at unitn.it
Nuno N. CorreiaTallinn University, ITI/LARSySVerified email at tlu.ee
Prof. Nick Bryan-KinnsQueen Mary University of LondonVerified email at acm.org
Roberto BresinProfessor of Media Technology, KTH Royal Institute of technologyVerified email at kth.se
Federico FontanaAssociate Professor, University of Udine - ItalyVerified email at uniud.it
Mela BettegaUniversidade Nova de LisboaVerified email at m-iti.org
Assunta matassaPhD in Computer Science - Università degli studi di Torino - Enel ItaliaVerified email at enel.com
Maria ErikssonPhD, Media and Communication studies, Umeå UniversityVerified email at umu.se
Giacomo LepriQueen Mary University of LondonVerified email at qmul.ac.uk

Fabio Morreale

Senior Lecturer, University of Auckland

Verified email at auckland.ac.nz - Homepage

Human-Computer Interaction Music-AI Technology Ethics NIME


Title Sort by citations Sort by year Sort by title	Cited by Cited by	Year
Design for Longevity: Ongoing Use of Instruments from NIME 2010-14 F Morreale, A McPherson New Interfaces for Musical Expression, 2017	78	2017
Building a maker community around an open hardware platform F Morreale, G Moro, A Chamberlain, S Benford, AP McPherson Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems …, 2017	54	2017
Musical Interface Design: An Experience-oriented Framework F Morreale, A De Angeli, S O’Modhrain New Interfaces for Musical Expression, 2014	53	2014
NIME Identity from the Performer’s Perspective F Morreale, AP McPherson, MM Wanderley New Interfaces for Musical Expression, 2018	44	2018
Musical instruments for novices: Comparing NIME, HCI and crowdfunding approaches A McPherson, F Morreale, J Harrison New directions in music and human-computer interaction, 179-212, 2019	39	2019
Collaborative creativity: The music room F Morreale, A De Angeli, R Masu, P Rota, N Conci Personal and Ubiquitous Computing 18, 1187-1199, 2014	35	2014
Democratising DMIs: the relationship of expertise and control intimacy RH Jack, J Harrison, F Morreale, A McPherson New Interfaces for Musical Expression, 2018	32	2018
A NIME of the Times: Developing an Outward-Looking Political Agenda For This Community F Morreale, SMA Bin, AP McPherson, P Stapleton, MM Wanderley New Interfaces for Musical Expression, 2020	31	2020
A quality adaptive multimodal affect recognition system for user-centric multimedia indexing R Gupta, M Khomami Abadi, JA Cárdenes Cabré, F Morreale, TH Falk, ... Proceedings of the 2016 ACM on international conference on multimedia …, 2016	29	2016
Robin: an algorithmic composer for interactive scenarios F Morreale, R Masu, A De Angeli Proceedings of SMC 2013, 10th, 2013	26	2013
The effect of expertise in evaluating emotions in music F Morreale, R Masu, A De Angeli, P Fava The 3rd International Conference on Music & Emotion, Jyväskylä, Finland …, 2013	25	2013
In-the-moment and beyond: Combining post-hoc and real-time data for the study of audience perception of electronic music performance SM Astrid Bin, F Morreale, N Bryan-Kinns, AP McPherson Human-Computer Interaction-INTERACT 2017: 16th IFIP TC 13 International …, 2017	17	2017
Evaluating visitor experiences with interactive art F Morreale, A De Angeli Proceedings of the 11th Biannual Conference on Italian SIGCHI Chapter, 50-57, 2015	17	2015
Sound forest/ljudskogen: A large-scale string-based interactive musical instrument R Bresin, L Elblaus, E Frid, F Favero, L Annersten, D Berner, F Morreale Sound and Music Computing 2016, 79-84, 2016	15	2016
Where does the buck stop? Ethical and political issues with AI in music creation F Morreale	14	2021
When is a guitar not a guitar? cultural form, input modality and expertise J Harrison, R Jack, F Morreale, A McPherson New Interfaces for Musical Expression, 2018	14	2018
Collaborating with an autonomous agent to generate affective music F Morreale, A De Angeli Computers in Entertainment (CIE) 14 (3), 1-21, 2016	14	2016
Auditory recognition of floor surfaces by temporal and spectral cues of walking F Fontana, F Morreale, T Regia-Corte, A Lécuyer, M Marchal International Conference on Auditory Display, 2011	14	2011
Magpick: an augmented guitar pick for nuanced control F Morreale, A Guidi, A McPherson New Interfaces for Musical Expression, 2019	12	2019
Robinflock: a Polyphonic Algorithmic Composer for Interactive Scenarios with Children R Masu, A Conci, C Core, A De Angeli, F Morreale 14th Sound and Music Computing SMC, 125-132, 2017	10	2017

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