| Creative Barkly: Sustaining the arts and creative sector in remote Australia BL Bartleet, N Sunderland, S O'Sullivan, S Woodland, A Murn, R Gregory Griffith University, Queensland Conservatorium Research Centre, 2019 | 16 | 2019 |
| The art of living in prison: A pragmatist aesthetic approach to participatory drama with women prisoners S Woodland Applied Theatre Research 4 (3), 223-236, 2016 | 12 | 2016 |
| I Love You I Love You: Aesthetics of love in a culturally diverse youth theatre ensemble S Woodland Youth theatre journal 32 (2), 164-176, 2018 | 10 | 2018 |
| Listening to Country: a prison pilot project that connects Aboriginal and Torres Strait Islander women on remand to Country E Marchetti, S Woodland, V Saunders, L Barclay, B Beetson Current Issues in Criminal Justice 34 (2), 155-170, 2022 | 8 | 2022 |
| Daughters of the Floating Brothel: Engaging Indigenous Australian Women prisoners through Participatory Radio Drama S Woodland Applied Theatre: Women and the Criminal Justice System, edited by Caoimhe …, 2020 | 8 | 2020 |
| ‘Magic mothers and wicked criminals’: Exploring narrative and role in a drama programme with women prisoners S Woodland Applied Theatre Research 1 (1), 77-89, 2013 | 8 | 2013 |
| Performing Te Whare Tapa Whā: Building on cultural rights to decolonise prison theatre practice R Hazou, S Woodland, P Ilgenfritz Research in Drama Education: The Journal of Applied Theatre and Performance …, 2021 | 7 | 2021 |
| The role of Australian First Nations’ Knowledges and the arts in “inclusive” regional and remote development: A narrative review N Sunderland, S Woodland, S O'Sullivan, BL Bartleet Journal of Rural Studies 89, 423-436, 2022 | 6 | 2022 |
| Prison theatre and an embodied aesthetics of liberation: Exploring the potentials and limits S Woodland Humanities 10 (3), 101, 2021 | 6 | 2021 |
| Aesthetics of Truth-Telling: Intercultural Applied Theatre Praxis in an Australian Women's Prison. S Woodland ArtsPraxis 6 (1), 2019 | 6 | 2019 |
| Listening to Country: Exploring the value of acoustic ecology with Aboriginal and Torres Strait Islander women in prison S Woodland, L Barclay, V Saunders, B Beetson Soundscapes: The Journal of Acoustic Ecology 17 (1), 41-44, 2019 | 6 | 2019 |
| Finding resonance: applied audio drama, inquiry and fictionalising the real W Vachon, S Woodland Research in Drama Education: The Journal of Applied Theatre and Performance …, 2021 | 5 | 2021 |
| All our stress goes in the river: The drama workshop as a (playful) space for reconciliation S Woodland Applied Theatre: Facilitation, 107-129, 2016 | 5 | 2016 |
| The art of listening in prison: Creating audio drama with incarcerated women S Woodland The Routledge companion to applied performance, 65-76, 2020 | 4 | 2020 |
| Sonic Engagement: The Ethics and Aesthetics of Community Engaged Audio Practice S Woodland, W Vachon Taylor & Francis, 2022 | 3 | 2022 |
| Carcerality, theatre, rights S Woodland, R Hazou Research in Drama Education: The Journal of Applied Theatre and Performance …, 2021 | 3 | 2021 |
| Weaving our narratives: amplifying the social echo of restorative justice through the arts B Morrison, S Woodland, L Barclay, V Saunders, B Beetson Arte en Prisión. Justicia Restaurativa a Través de Proyectos Artísticos y …, 2020 | 3 | 2020 |
| Performing te whare tapa wha: Cultural rights and decolonising corrections R Hazou, S Woodland, P Ilgenfritz Taylor and Francis Group, 2021 | 2 | 2021 |
| Desert harmony: exploring the cultural, social, and economic value of a multi-arts festival in the remote Barkly Region BL Bartleet, N Sunderland, S Woodland, S O’Sullivan Musicology Australia 42 (2), 196-214, 2020 | 2 | 2020 |
| Drama and citizenship education: Tensions of creativity, content and cash S Woodland, R Lachowicz Refugee Performance: Practical Encounters, Bristol: Intellect, 279-96, 2013 | 2 | 2013 |
Professor Brydie-Leigh BartleetQueensland Conservatorium Griffith University, ARC Future Fellow, Fulbright Senior ScholarVerified email at griffith.edu.au
