| Biological roots of musical epistemology: functional cycles, umwelt, and enactive listening M Reybrouck | 86 | 2001 |
| Neuroplasticity beyond sounds: neural adaptations following long-term musical aesthetic experiences M Reybrouck, E Brattico Brain Sciences 5 (1), 69-91, 2015 | 84 | 2015 |
| A biosemiotic and ecological approach to music cognition: event perception between auditory listening and cognitive economy M Reybrouck Axiomathes 15 (2), 229-266, 2005 | 80 | 2005 |
| Musical sense-making and the concept of affordance: an ecosemiotic and experiential approach M Reybrouck Biosemiotics 5 (3), 391-409, 2012 | 73 | 2012 |
| Body, mind and music: musical semantics between experiential cognition and cognitive economy M Reybrouck Trans. Revista transcultural de música, 0, 2005 | 63 | 2005 |
| Musical imagery between sensory processing and ideomotor simulation M Reybrouck Musical imagery, 117-136, 2001 | 63 | 2001 |
| Enacting musical emotions. Sense-making, dynamic systems, and the embodied mind A Schiavio, D van der Schyff, J Cespedes-Guevara, M Reybrouck Phenomenology and the Cognitive Sciences 16 (5), 785-809, 2017 | 57 | 2017 |
| Music cognition, semiotics and the experience of time: Ontosemantical and epistemological claims M Reybrouck Journal of New Music Research 33 (4), 411-428, 2004 | 53 | 2004 |
| Gestalt concepts and music: limitations and possibilities M Reybrouck Joint International Conference on Cognitive and Systematic Musicology, 57-69, 1996 | 53 | 1996 |
| Music as environment: An ecological and biosemiotic approach M Reybrouck Behavioral Sciences 5 (1), 1-26, 2015 | 43 | 2015 |
| Music and its inductive power: a psychobiological and evolutionary approach to musical emotions M Reybrouck, T Eerola Frontiers in Psychology 8, 494, 2017 | 38 | 2017 |
| Musical creativity between symbolic modelling and perceptual constraints: The role of adaptive behaviour and epistemic autonomy MM Reybrouck Musical Creativity, 58-76, 2006 | 36 | 2006 |
| Using graphical notations to assess children’s experiencing of simple and complex musical fragments L Verschaffel, M Reybrouck, M Janssens, W Van Dooren Psychology of Music 38 (3), 259-284, 2010 | 35 | 2010 |
| Music cognition and the bodily approach: Musical instruments as tools for musical semantics M Reybrouck Contemporary Music Review 25 (1-2), 59-68, 2006 | 30 | 2006 |
| Music cognition and real-time listening: denotation, cue abstraction, route description and cognitive maps M Reybrouck Musicae scientiae 14 (2_suppl), 187-202, 2010 | 26 | 2010 |
| The musical sign between sound and meaning M Reybrouck Music and signs, semiotic and cognitive studies in music, 39-58, 1999 | 20 | 1999 |
| Brain connectivity networks and the aesthetic experience of music M Reybrouck, P Vuust, E Brattico Brain sciences 8 (6), 107, 2018 | 18 | 2018 |
| Real-time listening and the act of mental pointing M Reybrouck Music, Mind, and Language 2, 1-17, 2015 | 17 | 2015 |
| Similarity perception as a cognitive tool for musical sense-making: deictic and ecological claims M Reybrouck Musicae Scientiae 13 (1_suppl), 99-118, 2009 | 16 | 2009 |
| From sound to music: an evolutionary approach to musical semantics M Reybrouck Biosemiotics 6 (3), 585-606, 2013 | 13 | 2013 |
