| A creative industry in transition: The rise of digitally driven independent music production BJ Hracs Growth and Change 43 (3), 442-461, 2012 | 246 | 2012 |
| Cultural intermediaries in the digital age: The case of independent musicians and managers in Toronto BJ Hracs Regional Studies 49 (3), 461-475, 2015 | 176 | 2015 |
| Standing out in the crowd: The rise of exclusivity-based strategies to compete in the contemporary marketplace for music and fashion BJ Hracs, D Jakob, A Hauge Environment and Planning A 45 (5), 1144-1161, 2013 | 142 | 2013 |
| See the sound, hear the style: collaborative linkages between indie musicians and fashion designers in local scenes A Hauge, BJ Hracs Industry and Innovation 17 (1), 113-129, 2010 | 107 | 2010 |
| Aesthetic labour in creative industries: the case of independent musicians in T oronto, C anada BJ Hracs, D Leslie Area 46 (1), 66-73, 2014 | 103 | 2014 |
| The locational choices and interregional mobilities of creative entrepreneurs within Canada’s fashion system T Brydges, BJ Hracs Regional Studies 53 (4), 517-527, 2019 | 66 | 2019 |
| Conceptualizing curation in the age of abundance: The case of recorded music J Jansson, BJ Hracs Environment and Planning A: Economy and Space 50 (8), 1602-1625, 2018 | 65 | 2018 |
| A tale of two scenes: Civic capital and retaining musical talent in Toronto and Halifax BJ Hracs, JL Grant, J Haggett, J Morton The Canadian Geographer/Le Géographe canadien 55 (3), 365-382, 2011 | 59 | 2011 |
| The Production and Consumption of Music in the Digital Age J Hracs, Brian, M Seman, E Virani, Tarek Routledge, 2016 | 58 | 2016 |
| Curating the quest for ‘good food’: The practices, spatial dynamics and influence of food-related curation in Sweden S Joosse, BJ Hracs Geoforum 64, 205-216, 2015 | 56 | 2015 |
| Beyond Bohemia: Geographies of everyday creativity for musicians in Toronto BJ Hracs Spaces of vernacular creativity, 89-102, 2009 | 51 | 2009 |
| What motivates millennials? How intersectionality shapes the working lives of female entrepreneurs in Canada’s fashion industry T Brydges, BJ Hracs Gender, Place & Culture 26 (4), 510-532, 2019 | 49 | 2019 |
| From selling songs to engineering experiences: exploring the competitive strategies of music streaming platforms BJ Hracs, J Webster Journal of Cultural Economy, 2020 | 46 | 2020 |
| Death by streaming or vinyl revival? Exploring the spatial dynamics and value-creating strategies of independent record shops in Stockholm BJ Hracs, J Jansson Journal of Consumer Culture, 1-20, 2017 | 42 | 2017 |
| Consuming Canada: How fashion firms leverage the landscape to create and communicate brand identities, distinction and values T Brydges, H Brian Geoforum 90, 108-118, 2018 | 35 | 2018 |
| Towards a theoretical approach for analysing music recommender systems as sociotechnical cultural intermediaries J Webster, N Gibbins, S Halford, BJ Hracs Proceedings of the 8th ACM Conference on Web Science, 137-145, 2016 | 34 | 2016 |
| Experience the difference: the competitive strategies of food‐related entrepreneurs in rural denmark IK Arthur, BJ Hracs Geografiska Annaler: Series B, Human Geography 97 (1), 95-112, 2015 | 23 | 2015 |
| Evolution versus entrenchment: debating the impact of digitization, democratization and diffusion in the global fashion industry T Brydges, BJ Hracs, M Lavanga International Journal of Fashion Studies 5 (2), 365-372, 2018 | 19 | 2018 |
| Selling the stage: Exploring the spatial and temporal dimensions of interactive cultural experiences BJ Hracs, D Jakob Spatial dynamics in the experience economy, 71-87, 2015 | 17 | 2015 |
| Working Harder and Working Smarter: The survival strategies of contemporary independent musicians J Hracs, Brian The Production and Consumption of Music in the Digital Age, 41-55, 2016 | 16 | 2016 |
Atle HaugeProfessor Høgskolen i LillehammerVerified email at hil.no
