| Score following in practice M Puckette, C Lippe Proceedings of the International Computer Music Conference, 182-182, 1992 | 118 | 1992 |
| Real-time interaction among composers, performers, and computer systems C Lippe Information Processing Society of Japan SIG Notes 2002 (123), 1-6, 2002 | 42 | 2002 |
| Techniques for multi-channel real-time spatial distribution using frequency-domain processing RH Torchia, C Lippe Proceedings of the 2004 conference on New interfaces for musical expression …, 2004 | 37 | 2004 |
| Realtime musical applications using FFT based resynthesis Z Settel, C Lippe Proceedings of the International Computer Music Conference, 338-338, 1994 | 28 | 1994 |
| Real-time interactive digital signal processing: A view of computer music C Lippe Computer Music Journal 20 (4), 21-24, 1996 | 25 | 1996 |
| A look at performer/machine interaction using real-time systems C Lippe Proceedings of the International Computer Music Conference, 116-117, 1996 | 24 | 1996 |
| A composition for clarinet and real-time signal processing: using max on the IRCAM signal processing workstation C Lippe Proceedings of the 10th Italian Colloquium on Computer Music’, Milan, Italy …, 1993 | 24 | 1993 |
| Musical performance using the IRCAM Workstation C Lippe Proceedings of the 1991 International Computer Music Conference. San Francisco, 1991 | 23 | 1991 |
| Real-time granular sampling using the ircam signal processing workstation C Lippe Timbre Composition in Electroacoustic Music, 149-155, 2019 | 22 | 2019 |
| Real-time timbral transformation: FFT-based resynthesis Z Settel, C Lippe Contemporary Music Review 10 (2), 171-179, 1994 | 20 | 1994 |
| Music for piano and computer: A description C Lippe Information Processing Society of Japan SIG Notes 97 (122), 33-38, 1997 | 17 | 1997 |
| Getting the acoustic parameters from a live performance M Puckette, C Lippe 3rd International Conference for Music Perception and Cognition, 328-333, 1994 | 16 | 1994 |
| Real-time musical applications using frequency domain signal processing Z Settel, C Lippe Proceedings of 1995 Workshop on Applications of Signal Processing to Audio …, 1995 | 15 | 1995 |
| Editor's notes: putting Max in perspective R Rowe, B Garton, P Desain, H Honing, R Dannenberg, D Jacobs, ... Computer music journal 17 (2), 3-11, 1993 | 15 | 1993 |
| Convolution Brother's Instrument Design. Z Settel, C Lippe NIME, 197-200, 2003 | 14 | 2003 |
| Real-time frequency-domain digital signal processing on the desktop Z Settel, C Lippe ICMC, 1998 | 11 | 1998 |
| The Phase Vocoder–Part I R Dudas, C Lippe Online article. Cycling74, 2006 | 9 | 2006 |
| Music for hi-hat and computer C Lippe Distributed by the composer, 1998 | 7 | 1998 |
| Real-time audio morphing Z Settel, C Lippe 7th International Symposium on Electronic Art, 1996 | 7 | 1996 |
| A musical application of real-time granular sampling using the IRCAM signal processing workstation C Lippe Proceedings of the 1993 International Computer Music Conference, 1993 | 7 | 1993 |
