| Den lyttende tilskuer: perception af lyd og musik i film B Langkjær Museum Tusculanum Press, 2000 | 56 | 2000 |
| Making fictions sound real-On film sound, perceptual realism and genre B Langkjær MedieKultur: Journal of media and communication research 26 (48), 13 p.-13 p., 2009 | 38 | 2009 |
| Realism as a third film practice B Langkjær MedieKultur: Journal of media and communication research 27 (51), 15 p.-15 p., 2011 | 22 | 2011 |
| Realism and Danish cinema B Langkjær Anne Jerslev (Hg.): Realism and› Reality‹ in Film and Media. Kopenhagen, 15-40, 2002 | 22 | 2002 |
| Filmlyd & filmmusik: Fra klassisk til moderne film B Langkjær Museum Tusculanum Press, 1997 | 22 | 1997 |
| Following the viewers: Investigating television drama engagement through skin conductance measurements A Gregersen, B Langkjær, L Heiselberg, JL Wieland Poetics 64, 1-13, 2017 | 21 | 2017 |
| Spatial perception and technologies of cinema sound B Langkjær Convergence 3 (4), 92-107, 1997 | 21 | 1997 |
| Audiovisual styling and the film experience: prospects for textual analysis and experimental approaches to understand the perception of sound and music in movies B Langkjær Music and the Moving Image 8 (2), 35-47, 2015 | 9 | 2015 |
| Realismen i dansk film B Langkjær Samfundslitteratur, 2012 | 9 | 2012 |
| Mediernes lyd. En multimodal analysemetode B Langkjær MedieKultur: Journal of media and communication research 22, 13 pages-13 pages, 2008 | 7 | 2008 |
| Hearing things in music for films: music, fiction and engagement B Langkjær SoundEffects-An Interdisciplinary Journal of Sound and Sound Experience 3 (1 …, 2013 | 6 | 2013 |
| Om den nya vågen och dogma 95 i dansk film. Är det bara en skakig kamera och en suddig bild som avgör? B Langkjær Filmhäftet 109 (1), 14-22, 2000 | 6 | 2000 |
| Filmlyd og filmmusik B Langkjær Museum Tusculanum Forlag, København, 1997 | 6 | 1997 |
| Problems of metaphor, film, and visual perception B Langkjær Embodied metaphors in film, television, and video games, 115-128, 2015 | 5 | 2015 |
| Casablanca and popular music as film music B Langkjær POV 14, 62-74, 2002 | 5 | 2002 |
| Storytelling schemes, realism, and ambiguity: Susanne Bier’s Danish dramas’ B Langkjær ReFocus: The Films of Susanne Bier, 19-35, 2018 | 4 | 2018 |
| Fiktioner og virkelighed i Lars von Triers Idioterne B Langkjær Kosmorama 224, 107-120, 1999 | 4 | 1999 |
| Matching on action: Effects of action speed and viewpoint on perceived continuity across match-action film edits. B Langkjær, A Gregersen, AC Rédei, J van de Weijer, Å Innes-Ker Psychology of Aesthetics, Creativity, and the Arts, 2022 | 3 | 2022 |
| action and affordances: the action hero’s skilled and surprising use of the environment B Langkjær, CS Jensen Screening characters, 266-283, 2019 | 3 | 2019 |
| Der hörende Zuschauer. Über Musik, Perzeption und Gefühle in der audiovisuellen Fiktion B Langkjær montage AV. Zeitschrift für Theorie und Geschichte audiovisueller …, 2000 | 3 | 2000 |
