| Audiovisual content generation controlled by physiological signals for clinical and artistic applications M Benovoy, A Brouse, TG Corcoran, H Drayson, C Erkut, JJ Filatriau, ... Proc. of the 3rd summer workshop on Multimodal Interfaces (eNTERFACE 2007 …, 2007 | 9 | 2007 |
| An Interactive bio-music improvisation system K Tahiroğlu, H Drayson, C Erkut Ann Arbor, MI: Michigan Publishing, University of Michigan Library, 2008 | 7 | 2008 |
| Design (ing) and the Placebo Effect—A Productive Idea H Drayson Design Issues 34 (3), 17-27, 2018 | 4 | 2018 |
| Gestalt Biometrics and their Applications; Instrumentation, objectivity and poetics HE Drayson University of Plymouth, 2011 | 3 | 2011 |
| Our GIFT to all of us: GA (Y) AM: Preface F Loesche, K Łucznik The Centre for Philosophical Research, 2017 | 2 | 2017 |
| Thinking about fittingness H Drayson, M Woodward Media archaeology and cognition, 358-363, 2015 | 1 | 2015 |
| ‘Imagine Being Slapped’Physiological Instrumentation, Ontology and the Placebo Effect H Drayson Plymouth: Plymouth University, 2011 | 1 | 2011 |
| Aesthetic Experience of Metabolic Processes H Drayson Leonardo, 344-345, 2024 | | 2024 |
| Renaissance 3.0: A Base Camp for New Alliances of Art and Science in the 21st Century by Peter Weibel and Anett Holzheid M Punt, H Drayson, D Grigar, J Hutchinson, I Reichle Leonardo 57 (1), 108-109, 2024 | | 2024 |
| Coded: Art Enters The Computer Age, 1952–1982 ed. by Leslie Jones M Punt, H Drayson, D Grigar, J Hutchinson, BR Smith Leonardo 56 (5), 540-542, 2023 | | 2023 |
| The Night Albums: Visibility and The Ephemeral Photograph by Kate Palmer Albers M Punt, H Drayson, D Grigar, J Hutchinson, S Petersen Leonardo 56 (1), 104-106, 2023 | | 2023 |
| Bloomsbury Visual Arts H Drayson LEONARDO 55 (5), 2022 | | 2022 |
| Eating in Theory H Drayson Leonardo 55 (5), 544-546, 2022 | | 2022 |
| Dictionary of Untranslatables: A Philosophical Lexicon M Punt Leonardo 55 (5), 543-544, 2022 | | 2022 |
| “I love a party with a happy atmosphere”; notes on the ontology of interpersonal atmosphere HE Drayson Transtechnology Open Access Papers, 2022 | | 2022 |
| To the Bitter End: Affect, Experience and Chemical Ecology HE Drayson Vieweg, 2021 | | 2021 |
| A Forest of Symbols: Art, Science, and Truth in the Long Nineteenth Century by Andrei Pop J Baetens, M Punt, H Drayson, D Grigar, J Hutchinson Leonardo 53 (5), 579-580, 2020 | | 2020 |
| Exchange & Flow: An anthology J Griffin, H Drayson, J Knight, J Hutchinson, M Punt Transtechnology Research Open Access, 2020 | | 2020 |
| Japan Fluxus by Luciana Galliano M Punt, H Drayson, D Grigar, J Hutchinson, M Leggett Leonardo 53 (3), 337-338, 2020 | | 2020 |
| Don’t Sugar Coat It HE Drayson | | 2019 |
