Rogue archives: Digital cultural memory and media fandom A De Kosnik mit Press, 2021 | 575 | 2021 |
Fandom as free labor A De Kosnik Digital labor, 98-111, 2012 | 242 | 2012 |
Should fan fiction be free? A De Kosnik Cinema Journal 48 (4), 118-124, 2009 | 202 | 2009 |
Probing the potential of post-anthropocentric 3D printing L Devendorf, A De Kosnik, K Mattingly, K Ryokai Proceedings of the 2016 ACM conference on designing interactive systems, 170-181, 2016 | 76 | 2016 |
" Fifty Shades" and the Archive of Women's Culture A De Kosnik Cinema Journal 54 (3), 116-125, 2015 | 56 | 2015 |
Emotional biosensing: Exploring critical alternatives N Howell, J Chuang, A De Kosnik, G Niemeyer, K Ryokai Proceedings of the ACM on Human-Computer Interaction 2 (CSCW), 1-25, 2018 | 55 | 2018 |
# identity: Hashtagging Race, Gender, Sexuality, and Nation: Hashtagging Race, Gender, Sexuality, and Nation A De Kosnik, K Feldman University of Michigan Press, 2019 | 54 | 2019 |
Interrogating “free” fan labor A De Kosnik Spreadable Media, 2013 | 53 | 2013 |
Watching, creating, and archiving: Observations on the quantity and temporality of fannish productivity in online fan fiction archives A De Kosnik, L El Ghaoui, V Cuntz-Leng, A Godbehere, A Horbinski, ... Convergence 21 (1), 145-164, 2015 | 46 | 2015 |
Participations| Part 5: PLATFORMS J Clark, N Couldry, AT De Kosnik, T Gillespie, H Jenkins, C Kelty, ... International Journal of Communication 8, 28, 2014 | 45 | 2014 |
The survival of soap opera: transformations for a new media era S Ford, A De Kosnik, CL Harrington Univ. Press of Mississippi, 2010 | 45 | 2010 |
Piracy is the Future of Television A De Kosnik Convergence Culture Consortium. Berkeley, CA: University of California, 2010 | 43 | 2010 |
Is Twitter a stage? Theories of social media platforms as performance spaces A De Kosnik Identity: Hashtagging race, gender, sexuality, and nation, 20-35, 2019 | 26 | 2019 |
The collector is the pirate AT De Kosnik Piracy Cultures: How a Growing Portion of the Global Population Is Building …, 2013 | 25 | 2013 |
Fans of color, fandoms of color. A De Kosnik Transformative Works & Cultures 29, 2019 | 22 | 2019 |
Perfect covers: Filipino musical mimicry and transmedia performance A De Kosnik Verge: Studies in Global Asias 3 (1), 137-161, 2017 | 22 | 2017 |
Introduction: The crisis of daytime drama and what it means for the future of television S Ford, A De Kosnik, CL Harrington The survival of soap opera: Transformations for a new media era, 3-21, 2011 | 22 | 2011 |
Drama is the cure for gossip: Television's turn to theatricality in a time of media transition A De Kosnik Modern drama 53 (3), 370-389, 2010 | 21 | 2010 |
Memory, Archive and History in Political Fan Fiction A De Kosnik Fandom: Identities and communities in a mediated world, 270-284, 2017 | 17 | 2017 |
Piracy is the future of culture: Speculating about media preservation after collapse A De Kosnik Third Text 34 (1), 62-70, 2020 | 16 | 2020 |