Palle Dahlstedt

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Malik NairatVerified email at gu.se
Rodney BerryLittle OwlVerified email at littleowl.xyz
Daichi AndoTokyo Metropolitan UniversityVerified email at tmu.ac.jp
Kjell BäckmanMsc,PhD Student of Applied Informatics, University WestVerified email at hv.se
Peter McBurneyKing's College LondonVerified email at kcl.ac.uk
Alan DorinMonash University, AustraliaVerified email at monash.edu
Wasinee RungsarityotinResearcher, Mahidol UniversityVerified email at mahidol.ac.th
Hitoshi IbaUniversity of TokyoVerified email at iba.t.u-tokyo.ac.jp
Minjuan WangChalmers University of TechnologyVerified email at chalmers.se
Georgios DiapoulisPhD student in Interaction Design at Chalmers University of Technology, University of GothenburgVerified email at chalmers.se
Michael J. LyonsProfessor, Ritsumeikan University (立命館大学), KyotoVerified email at im.ritsumei.ac.jp
Francisco Fernandez de VegaProfessor Computer ArchitecturesVerified email at unex.es
Chuan-Kang TingProfessor, National Tsing Hua UniversityVerified email at cs.nthu.edu.tw
Ami Skånberg Dahlstedt (ORCID 0000...PhD, Assistant professor at Stockholm University of the Arts, Lecturer at University of GothenburgVerified email at uniarts.se
Jon McCormackMonash UniversityVerified email at monash.edu
Eduardo R MirandaProfessor of Computer Music, Plymouth UniversityVerified email at plymouth.ac.uk

Palle Dahlstedt

Prof. of Interaction Design, Univ. of Gothenburg & Chalmers; Guest Prof. of Art & Tech., Aalborg U.

Verified email at chalmers.se

musical composition improvisation electronic music AI and creativity evolutionary algorithms


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Creating and exploring huge parameter spaces: Interactive evolution as a tool for sound generation P Dahlstedt ICMC, 2001	92	2001
Living Melodies: Coevolution of Sonic Communication P Dahlstedt, MG Nordahl Leonardo 34 (3), 243-248, 2001	72	2001
Autonomous evolution of complete piano pieces and performances P Dahlstedt Proceedings of Music AL Workshop, 2007	63	2007
A MutaSynth in parameter space: interactive composition through evolution P Dahlstedt Organised Sound 6 (2), 121-124, 2001	60	2001
Evolution in creative sound design P Dahlstedt Evolutionary computer music, 79-99, 2007	37	2007
Using advisory 3D sound cues to improve drivers' performance and situation awareness MJ Wang, SL Lyckvi, C Chen, P Dahlstedt, F Chen Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems …, 2017	31*	2017
Sounds Unheard of P Dahlstedt Chalmers Tekniska Högskola, 2004	30	2004
Musical agents: toward computer-aided music composition using autonomous software agents P Dahlstedt, P McBurney Leonardo 39 (5), 469-470, 2006	28	2006
Between material and ideas: A process-based spatial model of artistic creativity P Dahlstedt Computers and Creativity, 205-233, 2012	24	2012
Thoughts on creative evolution: A meta-generative approach to composition P Dahlstedt Contemporary Music Review 28 (1), 43-55, 2009	21	2009
Unfinished Symphonies-songs of 3 1/2 worlds R Berry, W Rungsarityotin, A Dorin, P Dahlstedt, C Haw Bilotta, et al.(Ed.), ECAL, 51-64, 2001	20	2001
Dynamic mapping strategies for expressive synthesis performance and improvisation P Dahlstedt Computer Music Modeling and Retrieval. Genesis of Meaning in Sound and Music …, 2009	19	2009
Artificial Life: Why should musicians bother? R Berry, P Dahlstedt Contemporary Music Review 22 (3), 57-67, 2003	17	2003
Computer aided composition by means of interactive GP D Ando, P Dahlstedt, MG Nordahl, H Iba International Computer Music Conference, ICMC 2006, 254-257, 2006	15	2006
Computer aided composition for contemporary classical music by means of interactive GP D Ando, P Dahlstedt, MG Nordahl, H Iba The Journal of the Society for Art and Science 4 (2), 77-86, 2005	15	2005
A generative representation for the evolution of jazz solos K Bäckman, P Dahlstedt Applications of Evolutionary Computing: EvoWorkshops 2008: EvoCOMNET, EvoFIN …, 2008	14	2008
Character evolution approach to generative storytelling M Nairat, P Dahlstedt, MG Nordahl 2011 IEEE Congress of Evolutionary Computation (CEC), 1258-1263, 2011	13	2011
対話型 GP を用いたクラシック音楽のための作曲支援システム安藤大地，伊庭斉志芸術科学会論文誌 4 (2), 77-86, 2005	13	2005
OtoKin: Mapping for Sound Space Exploration through Dance Improvisation. P Dahlstedt, AS Dahlstedt NIME, 156-161, 2019	12	2019
Somacoustics: Interactive Body-as-Instrument. MS Bomba, P Dahlstedt NIME, 95-100, 2019	12	2019

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