| Videoland: Movie culture at the American video store D Herbert University of California Press, 2014 | 101 | 2014 |
| Approaching media industries comparatively: A case study of streaming D Herbert, AD Lotz, L Marshall International Journal of Cultural Studies 22 (3), 349-366, 2019 | 82 | 2019 |
| Media Industry Studies D Herbert, AD Lotz, A Punathambekar John Wiley & Sons, 2020 | 70 | 2020 |
| Film Remakes and Franchises D Herbert Film Remakes and Franchises, 2018 | 46 | 2018 |
| SKY'S THE LIMIT: Transnationality and Identity in Abre los Ojos and Vanilla Sky D Herbert Film Quarterly 60 (1), 28-38, 2006 | 20 | 2006 |
| Nostalgia Merchants: VHS Distribution in the Era of Digital Delivery D Herbert Journal of Film and Video 69 (2), 3-19, 2017 | 18 | 2017 |
| From art house to your house: The distribution of quality cinema on home video D Herbert Canadian Journal of Film Studies 20 (2), 2-18, 2011 | 16 | 2011 |
| Days and Hours of the Apocalypse: 24 and the Nuclear Narrative D Herbert Reading 24, 85-95, 2007 | 15 | 2007 |
| “It Is What It Is”: The Wire and the Politics of Anti-Allegorical Television Drama D Herbert Quarterly Review of Film and Video 29 (3), 191-202, 2012 | 11 | 2012 |
| Point of sale: Analyzing media retail D Herbert, D Johnson, E West, G Steirer, H Tyni, O Sotamaa, E Affuso, ... Rutgers University Press, 2019 | 10 | 2019 |
| The Transnational Film Remake in the American Press D Herbert Transnational Film Remakes, 2017 | 8 | 2017 |
| Circulations: Technology and discourse in The Ring intertext D Herbert Second Takes: Critical Approaches to the Film Sequel, 153-70, 2010 | 8 | 2010 |
| Trading Spaces: Transnational Dislocations in Insomnia/Insomnia and Ju-on/The Grudge D Herbert Fear, Cultural Anxiety, and Transformation: Horror, Science Fiction, and …, 2009 | 7 | 2009 |
| Transnational film remakes: Time, space, identity D Herbert University of Southern California, 2008 | 7 | 2008 |
| Film Reboots D Herbert, C Verevis Edinburgh University Press, 2020 | 6 | 2020 |
| Putting the ‘me’in ‘method’: perspective, positionality and embodied knowledge in media industry research D Herbert Creative Industries Journal 7 (1), 45-49, 2014 | 5 | 2014 |
| Real Monster/Fake Auteur: Humor, Hollywood, and Herzog in Incident at Loch Ness D Herbert Quarterly Review of Film and Video 26 (5), 353-364, 2009 | 5 | 2009 |
| To Mock a Killingbird: Martin Arnold's Passage à l'Acte and the Dissymmetries of Cultural Exchange D Herbert Millennium Film Journal, 93, 2006 | 5 | 2006 |
| The movie business as waste management industry D Herbert Media Industries Journal 3 (1), 2016 | 4 | 2016 |
| Remaking Transnational Hollywood D Herbert Spectator 27, 94-100, 2007 | 4 | 2007 |
Amanda LotzQueensland University of TechnologyVerified email at qut.edu.au
