| Guiding auditory attention toward the subtle components in electrocardiography sonification. H Terasawa, Y Morimoto, M Matsubara, A Sato, M Ohara, M Kawarasaki ICAD, 231-235, 2015 | 12 | 2015 |
| Detecting and sonifying temporal patterns of body segments when batting A Kobayashi, D Nasu, Y Morimoto, M Kashino, T Kimura Proceedings 2 (6), 205, 2018 | 6 | 2018 |
| Hacking cellular automata: an approach to sound synthesis Y Morimoto Proc. SuperCollider Symp., Berlin, 2010 | 5 | 2010 |
| Collaborative study of interactive seismic array sonification for data exploration and public outreach activities M Matsubara, Y Morimoto, T Uchide Proceedings of ISon, 56-60, 2016 | 4 | 2016 |
| Breathing space: Biofeedback sonification for meditation in autonomous vehicles Y Morimoto, B van Geer Georgia Institute of Technology, 2019 | 3 | 2019 |
| Sound Programming in SuperCollider N Aoki, Y Morimoto IEICE Technical Report; IEICE Tech. Rep. 111 (89), 37-40, 2011 | 2 | 2011 |
| Auditory Gestalt Formation for Exploring Dynamic Triggering Earthquakes M Matsubara, Y Morimoto, T Uchide Proceedings of the International Symposium on Computer Music …, 2019 | 1 | 2019 |
| DIPS5 for Max: Digital Image Processing with Sound, version 5 T Rai, S Matsuda, Y Morimoto, K Takahashi, T Fukuda ICMC 2013 Proceedings: International Developments in Electroacoustics, 475-478, 2013 | 1 | 2013 |
| INTRODUCTION OF DIPS3 (VERSION 2) FOR MAX/MSP T Rai, C Miyama, S Matsuda, T Hamano, T Fukuda, Y Morimoto ICMC, 2007 | 1 | 2007 |
| The Various Uses of SuperCollider--a personal perspective Y Morimoto IEICE Technical Report; IEICE Tech. Rep. 121 (112), 61-65, 2021 | | 2021 |
| Introduction to sound programming in SuperCollider N Aoki, Y Morimoto Acoustical Science and Technology 34 (5), 342-343, 2013 | | 2013 |
| SuperCollider as a tool for sonification Y Morimoto, N Aoki IEICE Technical Report; IEICE Tech. Rep. 112 (125), 29-33, 2012 | | 2012 |
| The possibility of sound programming in SuperCollider N Aoki, Y Morimoto | | |
| Yota Morimoto Poster: Exploring the Rule Space of Cellular Automaton in Sound Synthesis Y Morimoto | | |
| DIPS5 FOR MAX T Rai, S Matsuda, Y Morimoto, K Takahashi, T Fukuda | | |
