| Perceptual constancies and visual selection as predictors of realistic drawing skill. J Ostrofsky, A Kozbelt, A Seidel Psychology of Aesthetics, Creativity, and the Arts 6 (2), 124, 2012 | 94 | 2012 |
| Observational drawing biases are predicted by biases in perception: Empirical support of the misperception hypothesis of drawing accuracy with respect to two angle illusions J Ostrofsky, A Kozbelt, DJ Cohen Quarterly Journal of Experimental Psychology 68 (5), 1007-1025, 2015 | 35 | 2015 |
| Objective versus subjective measures of face-drawing accuracy and their relations with perceptual constancies. J Ostrofsky, DJ Cohen, A Kozbelt Psychology of Aesthetics, Creativity, and the Arts 8 (4), 486, 2014 | 34 | 2014 |
| Expertise in drawing. A Kozbelt, J Ostrofsky Cambridge University Press, 2018 | 25 | 2018 |
| Perceptual grouping in artists and non-artists: A psychophysical comparison J Ostrofsky, A Kozbelt, DD Kurylo Empirical Studies of the Arts 31 (2), 131-143, 2013 | 22 | 2013 |
| The relationship between need for cognitive closure and the appreciation, understanding, and viewing times of realistic and nonrealistic figurative paintings J Ostrofsky, E Shobe Empirical Studies of the Arts 33 (1), 106-113, 2015 | 20 | 2015 |
| Regressive imagery in creative Problem‐Solving: Comparing verbal protocols of expert and novice visual artists and computer programmers A Kozbelt, S Dexter, M Dolese, D Meredith, J Ostrofsky The Journal of Creative Behavior 49 (4), 263-278, 2015 | 18 | 2015 |
| Why do non-artists draw the eyes too far up the head? How vertical eye-drawing errors relate to schematic knowledge, pseudoneglect, and context-based perceptual biases. J Ostrofsky, A Kozbelt, M Tumminia, M Cipriano Psychology of Aesthetics, Creativity, and the Arts 10 (3), 332, 2016 | 16 | 2016 |
| A multi-stage attention hypothesis of drawing ability J Ostrofsky, A Kozbelt Thinking through drawing: Practice into knowledge. Proceedings of an …, 2011 | 16 | 2011 |
| Face inversion impairs the ability to draw long-range, but not short-range, spatial relationships between features J Ostrofsky, A Kozbelt, DJ Cohen, L Conklin, K Thomson Empirical Studies of the Arts 34 (2), 221-233, 2016 | 10 | 2016 |
| Do graphic long-term memories influence the production of observational drawings? The relationship between memory-and observation-based face drawings. J Ostrofsky Psychology of Aesthetics, Creativity, and the Arts 9 (3), 217, 2015 | 8 | 2015 |
| Extending the psycho-historical framework to understand artistic production A Kozbelt, J Ostrofsky Behavioral and Brain Sciences 36 (2), 148, 2013 | 7 | 2013 |
| Developmental and geographic analyses of spatial biases in face drawings produced by children J Ostrofsky Empirical Studies of the Arts 33 (1), 3-17, 2015 | 5 | 2015 |
| Pixel drawing: A novel signal detection-based approach to measuring drawing skill A Kozbelt, E Snodgrass, J Ostrofsky Proceedings of the twenty-third biennial congress of the international …, 2014 | 5 | 2014 |
| The effect of object interpretation on the appearance of drawings of ambiguous figures. J Ostrofsky, H Nehl, K Mannion Psychology of Aesthetics, Creativity, and the Arts 11 (1), 99, 2017 | 4 | 2017 |
| Drawing the spatial relationships between the features composing a human face: Objectively measured errors and evaluations of perception-based and memory-based theoretical … J Ostrofsky City University of New York, 2013 | 3 | 2013 |
| Increasing speed estimation accuracy through daytime headlight usage R Pletcher, J Ostrofsky Project. Stockton University New Jersey, United States, 2018 | 2 | 2018 |
| The Effects of Disrupting Holistic Processing on the Ability to Draw a Face J Ostrofsky, R Pletcher, J Smith Art & Perception 8 (1), 68-88, 2020 | 1 | 2020 |
| Observational Drawing Research Methods J Ostrofsky The Oxford Handbook of Empirical Aesthetics, 235, 2022 | | 2022 |
| Temporal-and orientation-based properties of the relationship between imagination-and observation-based face drawings. J Ostrofsky, K Casario, R Canfield, R Pletcher Psychology of Aesthetics, Creativity, and the Arts 16 (1), 176, 2022 | | 2022 |
