| Perceptual effects of dynamic range compression in popular music recordings J Hjortkjær, M Walther-Hansen Journal of the Audio Engineering Society 62 (1/2), 37-41, 2014 | 45 | 2014 |
| The Oxford handbook of sound and imagination M Grimshaw-Aagaard, M Walther-Hansen, M Knakkergaard Oxford Handbooks, 2019 | 23 | 2019 |
| Making sense of recordings: How cognitive processing of recorded sound works M Walther-Hansen Oxford University Press, 2020 | 18 | 2020 |
| New and old user interface metaphors in music production M Walther-Hansen Journal on the Art of Record Production, 2017 | 13 | 2017 |
| Being in a virtual world: presence, environment, salience, sound M Walther-Hansen, M Grimshaw Proceedings of the Audio Mostly 2016, 77-84, 2016 | 12 | 2016 |
| Sound Events, Spatiality and Diegesis–The Creation of Sonic Narratives in Music Productions M Walther-Hansen Danish Musicology Online, 29-46, 2015 | 11 | 2015 |
| The Sound of the Smell of my Shoes M Grimshaw, M Walther-Hansen Proceedings of the Audio Mostly 2015 on Interaction With Sound, 1-8, 2015 | 9 | 2015 |
| The force dynamic structure of the phonographic container: how sound engineers conceptualise the ‘inside’of the mix M Walther-Hansen Journal of Music and Meaning 12, 89-115, 2014 | 5 | 2014 |
| Don't extend! reduce! the sound approach to reality M Walther-Hansen, M Grimshaw-Aagaard Proceedings of the 15th International Audio Mostly Conference, 8-15, 2020 | 4 | 2020 |
| The perception of sounds in phonographic space M Walther-Hansen | 4 | 2012 |
| Multi-modal imagery in the receptive music therapy model Guided Imagery and Music (GIM) LO Bonde, M Grimshaw-Aagaard, M Walther-Hansen, M Knakkergaard The Oxford Handbook of Sound and Imagination 2, 427, 2019 | 3 | 2019 |
| Opera and the South African Political C Ballantine, M Grimshaw-Aagaard, M Walther-Hansen, M Knakkergaard The Oxford Handbook of Sound and Imagination, Volume 1, 291, 2019 | 3 | 2019 |
| Motor imagery in perception and performance of sound and music J Schacher M., Grimshaw-Aagaard, M., Walther-Hansen, M. Knakkergaard,(Eds.), The Oxford …, 2019 | 3 | 2019 |
| Balancing Audio: Towards a Cognitive Structure of Sound Interaction in Music Production M Walther-Hansen Music, Mind, and Embodiment: 11th International Symposium, CMMR 2015 …, 2016 | 3 | 2016 |
| Force Dynamics as a Design Framework for Mid-Air Musical Instruments A Eskildsen, M Walther-Hansen International Conference on New Interfaces for Musical Expression, 361-366, 2020 | 2 | 2020 |
| Musik og entreprenørskab M Walther-Hansen Samfundslitteratur, 2022 | 1 | 2022 |
| Sound Quality, Language, and Cognitive Metaphors M Walther-Hansen The Oxford Handbook of Sound and Imagination, Volume 1, 459, 2019 | 1 | 2019 |
| The Influence of Music Technology on the Perception of the Performer in Phonographic Space M Walther-Hansen Proceedings from the 2009 Art of Record Production Conference, 2009 | 1 | 2009 |
| Less-is-more: auditory strategies for reduced reality M Grimshaw-Aagaard, M Walther-Hansen Personal and Ubiquitous Computing, 1-13, 2024 | | 2024 |
| Artistic Intuition and Algorithmic Prediction in Music Production M Walther-Hansen Innovation in Music, 2024 | | 2024 |
Mark Grimshaw-AagaardObel Professor of Music, Aalborg UniversityVerified email at hum.aau.dk
