| SPACES TO FAIL IN: NEGOTIATING GENDER, COMMUNITY AND TECHNOLOGY IN ALGORAVE. J Armitage Dancecult: Journal of Electronic Dance Music Culture 10 (1), 2018 | 11 | 2018 |
| Don’t Touch My MIDI Cables: Gender, Technology and Sound in Live Coding J Armitage, H Thornham Feminist Review 127 (1), 90-106, 2021 | 10 | 2021 |
| mConduct: A Multi-sensor Interface for the Capture and Analysis of Conducting Gesture J Armitage, K Ng Electronic Visualisation in Arts and Culture, 153-165, 2013 | 9 | 2013 |
| A hybrid swamp lantern. J Armitage, B Phillips Plantsman 10 (3), 155-157, 2011 | 9 | 2011 |
| Feeling sound: Exploring a haptic-audio relationship J Armitage, K Ng Music, Mind, and Embodiment: 11th International Symposium, CMMR 2015 …, 2016 | 8 | 2016 |
| The colour of music: Real-time music visualisation with synaesthetic sound-colour mapping K Ng, J Armitage, A McLean Electronic Visualisation and the Arts (EVA 2014), 17-20, 2014 | 8 | 2014 |
| mConduct: Gesture transmission and reconstruction for distributed performance P Bakanas, J Armitage, J Balmer, P Halpin, K Hudspeth, K Ng International conference on information technologies for performing arts …, 2012 | 8 | 2012 |
| Augmented opera performance JL Armitage, K Ng International Conference on Information Technologies for Performing Arts …, 2013 | 6 | 2013 |
| Tactile composition: configurations and communications for a musical haptic chair J Armitage, K Ng ICMC, 2014 | 3 | 2014 |
| ‘Unheard’Sounds J Armitage, K Ng Electronic Visualisation and the Arts (EVA 2015), 1-2, 2015 | 2 | 2015 |
| Multimodal Music Composition J Armitage, N Kia Electronic Visualisation and the Arts (EVA 2013), 40-46, 2013 | 2 | 2013 |
| Spaces to Fail in J Armitage Dancecult, 2018 | 1 | 2018 |
| Configuring a haptic interface for music performance J Armitage, K Ng Electronic Visualisation and the Arts (EVA 2015), 41-45, 2015 | 1 | 2015 |
| Judders, Jabs, and Slips: Automation, Anomalies, Movements H Thornham, J Armitage Science, Technology, & Human Values, 01622439231183334, 2023 | | 2023 |
| Don’t Touch My MIDI Cables: Gender, Technology and Sound in Live Coding H Thornham, J Armitage Feminist Review 127 (1), 2021 | | 2021 |
| Artists Statements III J Armitage, A Skuse, A Goh array., 76-89, 2017 | | 2017 |
| SEEING SOUND: VISUALISATIONS OF RHYTHM AND SOUNDFOR A MUSICAL CHAIR KC Ng, J Armitage, M Benatan, L Johnson, D Moore, B Bretherton, ... Electronic Imaging & the Visual Arts, 37-38, 2015 | | 2015 |
| Eversmann, PGF, 81 Felicetti, A., 131 Fresa, A., 58 Gallo, F., 89 Garra, R., 175 P Ács, G Adembri, N Aloia, W Allasia, A Antonielli, J Armitage, S Atkinson, ... | | |
| Proceedings of the First International Conference on Live Coding A McLean, T Magnusson, K Ng, S Knotts, J Armitage ICSRiM, University of Leeds, 0 | | |
| Interactive Musical Chair: Seated percussion with real-time visualisations K Ng, J Armitage, M Benatan, L Johnson, D Moore, I Symonds | | |
Kia NgICSRiM - University of LeedsVerified email at leeds.ac.uk
